Answer: Inside the film Chariots of Fire, Described by Hugh Hudson, two major film techniques which were used happen to be slow motion and close up photographs. These Development techniques reinforce the character and feelings of Eric Liddell and Harold Abrahams because they prepare and run in the 1924 Rome Olympic Games. End of trading Up photographs give us an insight into Eric’s Character and reactions, especially when he makes the decision to never run on the Sabbath. Slow-motion tells us from the nervousness and loneliness of Harold when he waits to get the competitions to start, and communicates the sensation of anxiety to the audiences.
The film techniques in Chariot of Fire improve the characters personalities and contact form a link while using theme and major events in the story line. Close up pictures are used in Chariots of Fire to represent the honesty and honesty of Richard Liddell, “the Flying Scotsman”, and his persona and method to the Olympics. When Richard arrived in Paris, france he was confronted by the problem of running his 100m heats on the Sabbath. Eric makes a decision that he won’t operate on the Sabbath because, “the Sabbath is usually Gods and I for one intend to keep it that way”, “I won’t operate and that’s final”.
The close up pictures showed us Eric’s reactions and emotions which exposed how Eric was obviously a transparent figure whose lifestyle was ruled by hope, honesty and loyalty to God. Hugh Hudson has used slow motion through the Olympic races to represent the honesty and integrity of Harold Abraham and Eric Liddell. The slow motion technique is as well used to represent the isolation and solitary feeling prior to races. At the beginning of Harold’s race this shows his determination to win, “If I can’t win, We won’t run”.
Harold was obviously a Jew and was decided to provide evidence that he can run, it was his tool against the rising of Anti-Semitism before World War Two. The slow motion in Eric’s race displays the viewers the different type of running this individual has and how each movement counts on the final triumph. Eric said “God made me fast, and once I run I feel his pleasure”; the slow motion shows how this individual loves running, but gives out a sensation of his firm faith and rely upon God that can never always be severed. Slow-motion shots showed me the good feelings of the sportsmen during their races and deepened the feeling of anxiousness, but dedication to run the race to victory in both of the primary characters.
The 2 production techniques close up shots and slow motion, enhance the website link between the personas and the concept of the faith and endurance, the understanding of personality feelings and determination made the film worthwhile because you can sense the tenseness of the character and their yearning for victory because the both had “something personal to prove”. The availability techniques helped me to understand the characters beliefs and the durability of their faith which ruled their lives, never to lower but constantly increase and inspire others to perform a straight race morally, have got ambition and determination, this kind of theme is specially prominent as we are displayed how Eric’s faith in God was his power when running and pathway to victory.
Two key production techniques in Chariots of fireplace, used by Hugh Hudson were close up and slow motion, both of these techniques increased my comprehension of the main heroes, Eric Liddell and Harold Abrahams. The techniques pictured character emotions, formation as well as the result of crucial decision making. This film is worthwhile to watch mainly because not only as a result of way the director has used techniques to make it better to understand the lives of the two Olympic characters and inspire long term generations, but for get an insight of how both of these runners attained their objective and their personal reasons for going after victory.
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