This daily news is devoted to the film by Ingmar Bergman “The Seventh Seal” – an account about the journey of any medieval dark night.
The form with the story is extremely difficult: reasonable details had been blended with religious and mythic overtones. The main leading man was touring with the target to find manifest of Our god, his voyage was physical and at the same time psychic one. It of the film was linked to the Publication of Thought, it was applied at the beginning of the film with the very end: “”And when he had exposed the 7th seal, there was clearly silence in heaven regarding the space of half an hour” (Revelation 8: 1). Bergman researched the topics of loss of life and fatality, existential and apocalyptic worries and finally “silence in heaven” – the silence of God in the world.
There was an idea that the entire film was at reality an allegory for the modern moil among people once they lost medieval faith, “with one persona embodying tortured doubt, an additional simple beliefs, still another defiant unbelief. ” (Greydanus, 2001). The film can not be considered an absolutely philosophical or strictly religious one particular; it addressed religious concerns in the world and individual souls, reflected the fear of individuals, that there were probably simply no afterlife with no God if he was and so silent. One of many messages in the film has not been to search for concrete floor answers, because at any rate they may be absolutely not the same as the initial anticipations.
Most of the film scenes were based on the equilibrium between episode and funny, at the same time the themes of revenge, anger, freedom, fear interchanged. The optimistic occasions of the film were significant, due to these people, the inescapable end of the world could not get people to give up. There was clearly a strong comparison between the dissatisfaction of the knight and his squire and the exasperated crowd, proclaiming that a young lady was a witch and should be burnt, it is clear the girl was innocent, but the process of burning helped the mob to deal with their anxiety about death. It had been easer so they can believe that they annihilated bad, when using the girl, than looking for the evil in themselves.
This kind of heart-rending landscape was strong with the constant impression the Judgment Time was unavoidable and was coming nearer and deeper. The most noticeable reminding of computer could be found, when the leader of the procession of the self-torturing people was shouting about the God’s punishment and inevitable perdition waiting for most humans. The film was rich in emblems as well as existentialist themes – death, religion, and metaphysics.
The problem was not a basic disease, nevertheless embodiment from the intrinsic dangerous forces of people; it was designed to verify the inherent values and durability of individuals. One of many key topics of the film was comparison: between actuality and false impression, between hope and skepticism, between intelligence and thoughts, between valor and cowardice, between love and lust. Death was a character inside the film combined with the others – from time to time this individual seemed to disclose some human being feelings, like for example sympathy while using Knight; at the same time a phantom and a power.
The main controversy about Loss of life was either his flexibility or compliance to an omniscient God. Actually he didn’t help the Dark night to find answers to his questions. The family of the actors: Jof, his partner Mia and the son Mikael, met by Knight were in a way in comparison to his religious uncertainties and stress. The names in the man and woman because diminutive forms of the names Paul and Mary, contribute to building the connection with the Holy Family (Marshall, 2004). Likewise at the beginning of the film Jof had a vision of the Virgin mobile Mary once she was teaching Christ to walk.
Later in the film Antonius saw Mia teaching her son inside the similar method. This seite an seite however looked like there was rather strange for the general skeptical strengthen of the film. � It had been never very clear why Fatality left Jof and his family alive, the moment Antonius helped them, entertaining Death intended for the moment, to run away through a bore in their truck, as no person was designed to escape by Death. We don’t understand whether it was their future to perish later or some other reasons. For the different heroes Loss of life played different roles: Plog met Fatality with moderate dignity, the lady, who likely had a lots of suffering during her your life, met Loss of life as solution, associating that with Jesus.
The main reason why the Knight didn’t want to die was his aspire to conduct one particular meaningful take action before dying and to locate the answer to his issue about God’s existence. Most likely after doing this significant act the Dark night expected to find the proof, that the universe has not been absolutely ridiculous and there is a force controlling the lives of people, however this would be also in a way ambiguous proof. Within the whole film he was not able to find part and traite, he was the prisoner of his doubts and dreams, apart of the meal with Jof and Mia; actually cheating of Death didn’t bring the ideal satisfaction.
The primary internal conflict of the Dark night rooted through the fact that this individual lost natural faith and could not get the meaning of life and death with out it. He started his battle with shadows not wanting to accept the absurdness from the universe. This individual saw the primary problem in the lack of proofs of God’s living, but in fact his intellectual confinement triggered it. General, the film is very serious and questionable, there are simply no answers, and there are only fresh intricate inquiries about existence and death, about faith and science, about eternal values and nihilism. References: Greydanus D. S. (2001).
The Seventh Seal (1957). 1-4 Marshall. B. (March 5, 2004). The 7th Seal, Motion picture Review. 2-5
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