Q marvell s poem to his coy mistress article

“To His Coy Mistress” is primarily the author, Claire Marvell, attempting to convince and seduce “his coy mistress”, into having intimate contact with him. The composition has 3 stanzas; every with a different purpose: the first stanza gently and subtly highlights his mistress, using confident diction and pictures to show, how Marvell desires he could like her for all those of eternity; the second stanza, nevertheless , uses symbolism to show just how time is moving fast and in addition, strongly adverse diction and pictures to show how life must be lived happily, for there is no chance to after death; the past stanza, the final outcome of the composition, uses quite sexual images to tell his mistress, that because time is limited, they should make the most of it, and enjoy life’s intimate delights together.

Imagery and diction have been utilized effectively through the entire poem, to achieve the author’s purpose, of seducing this girl. The author likewise conveys a theme throughout the poem; life is short, your time on earth is limited, and thus we must make the most of life’s pleasures while we still can.

Research of the Poem

• In the first stanza, imagery and diction, flatters this female, Andrew Marvell wishes to seduce, and depicts his wonderful and widening love on her behalf.

Marvell begins simply by describing just how ideally he would have “world enough and time” to love this kind of lady. They would “sit down, and believe which approach to walk and pass [their] extended love’s day time. ” Imagery shows these people taking their particular love extremely slowly. This image is established by diction with calm and sluggish connotations, just like “sit down”, and “walk. ” The diction within just that range, also makes alliteration, “which way to walk”, and also, “long love’s day; ” this dingdong, and the very long vowel sounds in “way”, “walk”, and “long”, provides an impressive slow and steady beat, and a relaxed mood and tone to the stanza, which allows the author to convey to “his mistress” that this individual wishes they will could take their love slowly and steadily.

Later on in the stanza, he uses diction to create images, to flatter “his mistress. ” “Thou by the American indian Ganges’ area shouldst rubies find; I by the tide of the Humber would complain. ” The imagery shows just how he sees his mistress as exotic, by comparing her to the Indian Ganges’, which usually at that time, was an faraway and amazing place; whilst, comparing himself with “the Humber”, he views himself as ordinary, compared to her. The effect is that it fulfils the author’s goal for it, which was to flatter this kind of lady. The diction can help him achieve this, “shouldst rubies find”; rubies are important and fabulous, and by using this diction, he again highlights her, by describing how beautiful and important she is to him.

In the 1st stanza the author has used diction and symbolism effectively to create a relaxed and simple mood and tone, to show how the creator wishes he can just little by little and eternally love this woman; a “state” which the girl “deserves. ” He also defines his purpose of gracefully complementing this female on her splendor, in more methods than literally.

• In the next stanza, Marvell uses diction and imagery to show how generally there is nothing to be enjoyed in the perpetuity of death, and just how death is a lonely place, for that reason another person’s take pleasure in must be experienced during your life. He tells us that “at�[his] again [he] always hears Time’s wingèd chariot hurrying close to. ” “Winged”: this diction gives us an impression that the “chariot” is quick, and then the imagery, developed by the representation of “Time”, shows that time journeys quickly; lifestyle is short. “Yonder before us lay deserts of vast eternity. ” I believe the “deserts of vast eternity” metaphorically symbolises loss of life. “Deserts” implies lifeless, destitute; while “vast eternity” uses long vowels sounds in “vast”, combined with the ‘e’ sound getting repeated and carried on at the end, in “eternity”.

The combined result of the diction: an image, showing the boring, lifelessness of death. This is summed up at the end of the stanza: “the grave’s a fine and private place, although not one, I think, do there adopt: ” appreciate and its joys may only be experience during lifestyle. He also will try to convince “his mistress”, that keeping her virginity, is a silly thing to do. Marvell makes reference to “long maintained virginity” as a “quaint honour”; the decision of diction, by using quaint, displays the author’s negative tone towards keeping your “virginity”: it is too woefully outdated, odd, and somewhat of a joke. The diction and images in this paragraph show us that life need to be enjoyed, intended for such joys do not are present after fatality.

• In the last paragraph, Marvell, uses sexual, excited diction and imagery to show that to enjoy life to the fullest, they need to have intimate relations jointly. “Now therefore , while the fresh hue stay on the pores and skin like early morning dew, and while thy willing soul occurs at every pore with immediate fires”; the simile creates an image, showing us that this female is physically fresh, and the metaphor shows us that she is either blushing, or seems to be very enthusiastic, or both. Marvell uses this kind of imagery to subtly tell this kind of young girl, that it is obvious, she desires the same as him.

“Now let us sport us while we may, and now just like amorous birds of prey”; the diction, affectionate, has very passionate connotations, even more so than love, and the simile, just like birds of prey, suggests a physical side of love, and makes an image of a fearless bird, snorkeling as soon as it sees a chance pertaining to kill; and so the image shows us, that while we are able to, we must make the most of the physical and passionate joys of life, with no too much concern, and also most importantly, as soon as we may. The tone and feelings, created by the diction and pictures, in the section is very positive, and excited, and its purpose is to convince “his mistress” that what he is suggesting, is the right thing to do, and to do so without any concerns, and as soon as possible. We must enjoy the joys of life, when we may, for that is impossible following death.

Realization

Andrew Marvell effectively uses diction and imagery through this poem, to convince and seduce a young lady, into having physical relations with him. He uses diction and imagery in the first section, showing how, greatly he loves her, and how willing he is to only love in a non-physical way, until the “last age” had they all of eternity. However , in the second section, negative diction and images, show us that time is limited, and the joys of life, cannot be found in after death; for that reason we must appreciate them although we live. The next and final paragraph, is the conclusion to Marvell’s argument; he uses passion loaded images and diction, to show that they will need to therefore engage in a physical and intimate romantic relationship, for this might be the only option they ever before get. A theme conveyed is that we must get pleasure from all of life’s pleasures, for we only purchase one chance to live.

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