Nea makes announcement new slate of grants or

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The Countrywide Endowment to get the arts released in Come july 1st a total of $7. a couple of million in grants to 231 specialist theatre corporations for the 1993-94 overall performance season. The grants, granted under the Theater Programs Professional Theater Businesses category, signify a decrease from the previous year, once 236 scholarships totaling $7. 5 mil were honored.

The grants, ranging in size from $5, 000 to $268, 500, include new or reinstated support to 26 theatres and raises to 84 theatres whom received support last year. A $268, 000 grant towards the Guthrie Theater of Minneapolis was the largest grant awarded, and the common was $31, 050. When compared, in 1986 the most notable grant reached a high of $315, 000 and the average was $40, 962, highlighting a nearly 25 % drop in average support to professional theatre companies in the past 8-10 years, without taking pumpiing into account.

The NEA Theatre Overview Panel convened 06 23-24 in Washington for the every year review of rules and money categories. Plan director Keryl McCord opened up the meeting by underscoring the need for panelists to overcome how to support bold new thinking when confronted with diminishing money. She urged

the panel to think about the total spectrum of theatre, including movement cinemas, childrens cinemas and widely specific cinemas.

During the course of the two-day appointment, the -panel recommended no major changes, but they discussed a number of concerns, including the prospect of reducing slightly the percentage of the budget at present allocated to the Professional Cinema Companies category to create a pool of cash that could be rechanneled to playwright fellowships or perhaps solo music artists. Also talked about was the problem of changing the grant cycle to biennial funding, that can be under consideration for several years. Although the 1992 panel had pressed for the staff examine of multi-year funding to get presented to his years panel to get a final advice, the study hadn’t yet occurred and the issue of biennial funding was tabled once more.

The panel followed by several weeks the 1st in a number of special think-tank meetings, convened by the Movie theater Program with a separate group of participants, but the results in the first meeting were not discussed by the Summary Panel.

Panelists attending this kind of years Overview meeting were John Paul Batiste, executive director, Arizona Commission on the Arts, Eve Brune, managing director, INTAR, New York, Carol North Evans, producing representative, Metro Cinema Company, St . Louis, Mo., Tom Hall, managing representative, Old Globe Theatre, North park (chairman), Paul Carter Harrison, playwright, Gregory Hicks, board member, Intiman Theatre, Detroit.

Also, Rick Lewis, dramaturg, Guthrie Theater, Minneapolis, Susan Medak, handling director, Berkeley Repertory Movie theater, Jon Nakagawa, managing overseer, Vineyard Movie theater, New York, Jane Robinson, imaginative director, Phila. Drama Guild, Starling Sutton, real estate developer, Atlanta, Ga., Lynette Turner, producing movie director, Perseverance Theatre, Douglas, Alaska, and Roberta Uno, artsy director, New World Theatre, Amherst, Mass.

The NEA also announced the latest Advancement Scholarhip recipients in Julyarts 40 groups that may participate in the first phase of the software, designed to present technical assistance and develop long-term ideal plans. The 1994 Growth participants include the Alice W. Theatre of Seattle, Philadelphias Arden Movie theater Company, Illinois Repertory Cinema, En Surveillance Arts in New York City, Horses Cave Theatre of Horse Cave, Ky., Milwaukee Step Theatre, Detroits Theatre Grottesco North America, Underground Railway Cinema of Arlington, Mass., Buenos aires, D. C. s Woolly Mammoth Theater Company plus the Zachary Scott Theatre Middle of Austin tx, Tex.

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