Freud suggests that dread is “linked in some way to the earlier psychological response which has been repressed. ” In phase 3 Hawker experiences plenty of fear when he is bombarded by the Brides of Dracula, in a remarkable, highly intimate scene. Hawker’s submission and confusion whether or not he is encountering pleasure of pain can, to follow Freud’s theory, always be linked to a past recollection in which this individual repressed his sexual wants. In the sensible society through which Stoker was writing, the rampant, overt eroticism from the Brides would have been surprising, and in a lot of ways delivering. Stoker writes: “There was something about all of them that made me uneasy, several longing and at the same time some deadly fear.
My spouse and i felt inside my heart a wicked, losing desire that they would kiss me with those red lips. ” The Birdes-to-be are totally sexual beings, who are guided solely by their wishes, and this want contrasts totally against the common 19th 100 years men and women- Steve, Lucy and Mina. This kind of liberation by repression will and do terrify and shock society, making vampires seem similar to animals, enemies. Freud published about the Superego, Spirit and Identity, the three elements of the human psyche.
The Id is natural, animalistic desires, such as love-making and food cravings and it is the Ego’s work to ensure that these desires happen to be controlled, in order for a human to live in an bought society. This links very well with the idea that repression leads to fear. Freud also composed about the ‘uncanny’ which German equals ‘unheimlich, ‘ which means un-homely.
The idea of uncanny is that “within the concept of the homely is a notion of concealment on its own, ” that where we feel safest may not be that safe at all, and that “home is a host to secrets. ” In Phase three Harker seeks comfort in a room “where, of outdated, ladies had sat and sung and lived fairly sweet lives even though their delicate breasts were sad for his or her menfolk aside in the midst of remorseless wars. ” He seeks safety and comfort in understanding, however in the place where he appears to be most dependable in the castle the Wedding brides of Dracula descend on him. Stoker writes that: “The place was the same, unchanged in any way since I actually came into that, ” even so the Brides have appeared and suddenly the atmosphere adjustments from that of safety and sleep to sexually billed domination.
On the climax from the scene, the vampires are only about to bite Hawker’s neck of the guitar, and Hawker completely and utterly submits: “I could feel the very soft, shivering contact of the lip area on the extremely sensitive skin area of my own throat, as well as the hard dings of two sharp the teeth, just coming in contact with and stopping there. My spouse and i closed my own eyes in languorous ecstasy and waited, patiently lay with defeating heart. ” It is this kind of uninhibited enjoyment that Hawker experiences that makes the scene so significant, almost as if his unconscious Id has completely absorbed his Superego. The Brides do not think, they act, they are, in respect to Freud, the complete reverse to just how normal human beings think they must behave.
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