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Pablo Picasso, probably the most renowned Western painters from the 20th hundred years, has passed through various periods in his artwork reflected in numerous paintings. Two of his artwork, “Girl with Mandolin” (1911) and “Les Demoiselles d`Avignon” (1907), refer to the Cubist period in Picasso’s art. The two functions are in many ways similar because they have been colored by the same artist, holding traces of Picasso’s clean and thoughtful style, and refer to similar period in Picasso’s your life and same artistic movement – Cubism.

At the same time, the artist does not repeat himself in his paintings over and over again, hence the two works are different in lots of ways.

The earlier work, “Les Demoiselles d`Avignon”, is a group portrait of five prostitutes from this French town. They can be naked, and the postures indicate that they are looking to be provocative. Even so, the ladies are represented in grotesque manner: their particular shapes are distorted, their very own faces are only a combination of features inadequately installing one another, and two of the women look like they put on rather daunting masks issues faces. Actually the painter here intended a connection towards the traditional Africa masks that fascinated him at the moment when this photo was created. Picasso himself called “Les Demoiselles d`Avignon” “first exorcism painting” (MoMa).

The prostitutes will be depicted as ugly, intimidating creatures which have little beauty despite all their obvious choose to attraction. The precise Cubist forms serve to underscore this violence of their appears. The setting of the brothel, as will end up typical of Cubist performs, is not really explored detailed. Rather, this serves as a pale history for the picture that is basically there to be able not to leave the girls suspending in the air on their own. The background then serves mainly as mounting for the figures that take on the primary importance inside the picture. The fruits on the table, the walls – all of this is only secondary for the group inside the foreground.

“Girl with Mandolin” (1911) can be described as much more Romantic image. In this article the Cubist manner starts to converge with Abstract art, a tendency that is yet to assert itself. The shape disintegrates even further, the surroundings happen to be unclear, and later the ladies figure stands out from the background with the picture, appealing to the audience with its elegant, shapely form. The girl, very much like Avignon prostitutes, is definitely presented like a set of cubes, but these cubes unite to make a simple and tasteful whole rather than a disgusting condition.

The mandolin, a musical instrument, is showed in a far more realistic method, but the entire environment by which it placed creates a mild air of surreal music. The viewer is seeing a picture that creates the impression of uttering a sound so the audience can easily feel the sounds emanating from the work. The Cubist shapes are there never to make the woman lose her feminine shape and look unsightly, on the contrary, they earn her resemble a celestial beast that is as well elevated and unreal to get depicted in gross, practical terms which will depict in greater detail the texture of her costume, color of the hair, etc . instead, the designer presents a generalised picture of nearly pure femininity.

Thus, the 2 pictures are very similar in the first place through their Cubist method. Among the styles manufactured by Picasso, Cubism is perhaps the best known, centered on dealing “with envisioning objects from multiple vantage factors at the same time” (Pablo Picasso).  The structure of the painting as an object consisting of a number of perspectives of the same object makes the distinct angular type that is present in both “Girl with Mandolin” and “Les Demoiselles d`Avignon”.

At the same time, the later “Girl with Mandolin” is in an expression even ‘more Cubist’ as it completely leaves out the remnants of realism, such as interpretation of fruits on the table in “Les Demoiselles d`Avignon” that are not broken down in the Cubist multiple shapes. The message of “Girl with Mandolin” is completely different from those of “Les Demoiselles d`Avignon”, since the initial picture can be described as hymn to ethereal beauty, while the second is the ridicule portrayal in the five prostitutes who hit the viewer with their cumbersome forms.

Thus, viewers of the two art can trace in them the development of Picasso’s style as he progresses in the initial conceiving of Cubism to the well-developed idea of that style that has in itself be a certain rule for additional artists. Cubism, with its emphasis on the sculptural form of the objects, is usually focused on the unexpected rendering of the described figures. Like in many time-honored works, the artist strives for generalization of both attractive or perhaps unattractive womanhood, portraying its different poles.

The two paintings are a brilliant example of just how an designer can use precisely the same method to convey two several messages, those of glorifying and denigrating a subject, and be successful in both equally cases. Picasso in each case provides an impressive vivid and memorable picture that chimes in with the reader’s innermost ideas and perceptions.

Bibliography

Picasso, Pablo. Girl with a Mandolin (Fanny Tellier). 1911. 5 12 , 2005 &lt, http://www.artchive.com/artchive/P/picasso/tellier.jpg.html&gt,.

Picasso, Pablo (1883-1971). 5 12 , 2005 &lt, http://www.incompetech.com/art/picasso.html&gt,.

Picasso, Pablo. L’ensemble des Demoiselles d’Avignon. Paris, June-July 1907. your five December 2006