Tragedy measuring the journey though composition

Excerpt coming from Essay:

Aristotle wanted a change because of the suddenness of the impact, which heightens the psychological impact in the plot. Like a constant factor, the juxtaposition of opposites is less emotional and more intellectual in its effect.

There are different details of both tragedies and epics that Aristotle pinpoints and describes in Poetics that could be used to draw a comparison between Oedipus Rex plus the Odyssey, although even more powerful for this sort of a comparison would be the direct statements Aristotle makes regarding the dissimilarities between epics and tragedies. Though Aristotle approves of epics and what they are capable to accomplish and convey to their readers/hearers, he considers disaster to be a higher form of artwork because it is necessarily more “refined” (Aristotle 62b2. Tragic and building plots are less difficult and their testimonies shorter than epics, which means the human sentiment has been better reduced.

This is often seen extremely clearly end up being examining the plots and stories of Oedipus Rex and the Odyssey side by side. Though there are many personas and difficulties in Oedipus Rex, as well as the full tale takes three plays to share with, the tragedy is boiled down to the essential factors, and is advised in a immediate and unavoidable manner. The Odyssey, however, ranges everywhere in both topics and plot. The various different escapades that both Odysseus and Telemachus face are often related only by the fact that they will happen to these characters, without the larger plot connections; the truth that the account has multiple characters that it follows and multiple styles and reports that it attempts to resolve as well show the increased complexity and inclusiveness in the work. Even though this does not diminish the quality of the job itself in respect to Aristotle – this kind of complexity and broadness is usually, of course , precisely what an epic is meant to have, and thus an amazing that contains these kinds of more entirely would be a better epic. Aristotle considers the tragedy to become higher art form because it is in a position to elicit a more profound mental response in a more direct and simplified manner, and this is certainly true of Oedipus Rex when compared to the Odyssey.

Both Homer and Sophocles were and are also considered brilliant masters of Greek literature. Aristotle would not really proclaim one artist to be greater or reduced than the additional; his comparison of art forms is largely academics and efforts to be subjective. The tragedy is a higher art form simply because it is more beneficial, and Aristotle does not limit qualitative elements with the same scrutiny.