The city planners the planners assessment essay

In “The Metropolis Planners” by simply Margaret Atwood and “The Planners” simply by Boey Ellie Cheng, both poets build on the concept of the not only sameness but the blandness of modern city or suv living which in turn insulates person from the randomness and issues of residing in daily connection with the natural world. Each poet uses their own unique approach to express these themes. In “The Metropolis Planners” Atwood employs strong imagery including “the houses in pedantic rows” when in “The Planners” Boey adopts an extended metaphor about mathematics and applied sciences.

The poet person of “The City Planners”, Margaret Atwood was born and raised inside the city of Ottawa, Canada. Your woman was born in 1939 and so has found the development of metropolis. Atwood detects the identical residences of suburbia offending to the eye. There may be absolutely nothing one of a kind to the properties and they almost all look similar. Boey Kim Cheng, the poet of “The Planners” however , came to be in 1965 and grew up in Singapore, an area of quick development.

Boey uses plenty of extended metaphors to show his views on the masterpieces of the “Planners”.

Both name elements of the poems contain the definitive content “The”. This kind of word advises importance and a solitary, electricity group which usually controls anything. The group then redirects us to believe that the poetry are going to be regarding sameness and uncreativeness. This time is consolidated by the factor “Planners”. This suggests control, organization and forward thinking once again linking to the main styles and concepts.

Atwood creatures the composition with two long stanzas, moving on to brief stanzas which predict the future that can befall the housing properties. The regular composition also reinforces the idea of sameness and the blandness of the “City Planners” as they attempt to control nature and make everything “perfect”. Boey Kim Cheng also switches into a similar structure, with the initial stanza being nine lines, second staying fourteen as well as the third staying four. This kind of again tones up the general themes and concepts of the two poems, of the “Planners” who control and create every thing.

The linguistic and strength devices in both poems are used to great effect to discuss the theme of sameness plus the blandness of suburban living. In “The City Planners”, the use of the representation and simile “the planted sanitary trees, assert … like a rebuke to the dent in our car door” makes the reader think uncomfortable and intimidated, like she will not meet up for the standards, something for which the “planted hygienic trees” appear to disapprove of. Not only is a suburban environment perfect in appearance but the persons living in the suburb are perfect as demonstrated in “No shouting in this article, or shattering of glass”.

In “The Planners” yet , Boey Betty Cheng switches into the expanded metaphor on mathematics and applied sciences. He describes that “spaces happen to be gridded, stuffed with permutations of possibilities”. “Permutation” suggests the large possibilities of the location and the advanced thinking of “The Planners”. “Bridges all hold in the style of mathematics”. This implies perfect parabolic suspensions (e. g. the suspensions over a suspension bridge). Boey likewise uses the extended metaphor on medical sciences (in this case the field of dentistry and a surgeon).

The quote “knock off ineffective blocks with dental dexterity” suggests the “Planners” fixing up the city such as a perfect set of pearly whites. “The region wears ideal rows” reephasizes this declaration as a perfect set of teeth is practically like a best row. This can be a surreal quality style is “plugged”. “The Planners” see comfort in sameness.

Maggie Atwood and Boey Kim Cheng equally use dialect to successfully help present their concepts of suv sameness and blandness. In-line 6 of “The Town Planners”, Atwood calls the trees “sanitary”. In a suv world which is sanitized, germ free, free from challenge and disease; the points which normally “offend” us. In the and surrounding suburbs we protection from the randomness of mother nature and therefore cut ourselves faraway from the energy of life concurrently. “The rational whine of the power mower” is used to suggest that folks who use the electric power mower themselves are rational, as they want to tidy up nature. Neat, nearly perfect lines on the grass are seen, “cutting a straight swath in the disappointed grass”.

As well slowing down the untidy energy and richness of nature, cutting yourself off from it, hence “discouraged” grass. In line 15-16 the roofs are described as “display(ing) the same slant of avoidance to the warm sky”. They have all recently been built according for the same town plan, high is no difference in the blueprint. The roofs are set at the same viewpoint so they help keep the heat away, protecting the “inmates” from the “dry September sunlight”.

In lines 8 and 9 of “The Planners”, the sea and sky is viewed to “surrender” to mans industrialized actions. Even they cannot withstand with mans progress. “Gleaming Gold” is also used to signify how a “Planners” observe their properties as fabulous and precious (has value).

In conclusion, each text uses different poetic strategies and techniques and uses them in a different approach to help set up the sameness and blandness of modern urbanization which retain us in the challenges of living in daily contact with nature. “The City Planners” relies on strong imagery to convey this time, while “The Planners” uses extended metaphors on techniques and mathematics to communicate the themes and ideas.

– by w. s (NZ)

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