The We’re All Likely to Die event was born away of Founder, Artist and Filmmaker and Director Stefan Hunt’s experience. You see, he had anxiety, and it drawn. Two years back it was genuinely bad and he was thus afraid of the unknown that he couldn’t make a simple decision. Life spiralled. One day Stefan written a composition titled ‘We’re All Going To Die’ and everything altered.
Abruptly his anxieties seemed small. He realized that in the event life’s simply guarantee can be death in that case why not take a few risks. The premise is based on the idea that as soon as you realise that you’re not the only one living with anxieties is the minute it all improvements and this festivity was supposed to create a system to acquire people chatting.
We’ve Going To Die is a festivity and media art job that uses death to shift our perspective upon fear, plus the role this plays in our lives. The first métamorphose in Sydney saw a group of worldwide artists approaching together to produce an active and immersive experience to help you get thinking about lifestyle. Set in COMMUNE’S large labyrinth of factory spaces, panel discussions about fear and death, view baths, fun installations, top secret dance activities, death deep breathing and a mini film-festival were lined up.
Despite being a big memento mori, the event was obviously a joyful and inspiring celebration more than a sorrowful, morbid work out in melancholy. Installations included The Hearse: Shying away from ‘life’s short’ cliches, attendants were asked to stand in the presence of the rainbow hearse and tune in to what your very own soul is telling you. Intended for “What could your tombstone say? inch 20 foreign and local performers were asked to echo upon what it takes to leave a heritage on your own conditions. Artists included: Ozzie Wright, Mia Taninaka, Land Males, Otis Carey, Nadia Hernandez, Ben Dark brown, Georgia Mountain, Nathanial Russell, Rad Kemudian, Simon Perini, Jake Donlen, Jim Mitchell, Chris Hope, Shaun Gonzalez, Matt Marine environments, Vinnie Valdez, Ornamental Confider, Hugo Mecke, Holly Greenwood, Jody Barton Bedroom Lines served being a forum to demonstrate the world the bedroom goes. Groove Therapy, in partnership with Retrosweat, explored the worry of judgment and the solace we search for within the level of privacy of our bed rooms.
This series of short five-minute functionality works invited the audience to get in touch with years as a child nostalgia within a bedroom unit installation whilst performers rotate through the space. The 20-minute mini-film festival scanned the world-premiers of nine short films by an award-winning set of international company directors. Each overseer was assigned a word about which all their story, in no longer than two minutes, unfolded. The last short can be Stefan Hunt’s film We’ve Going To Perish the adaptation from the illustrated book of the same name where a man contains a conversation with death, pondering the what ifs and oh bore holes of existence. Directors included: Failure Aimed by Smirit Keshari, Nyc Judgment Directed by Lincoln Caplice, SydneyFear Directed simply by Genevieve Bailey Unknown Aimed by Meredith, Los Angeles Uncertainty Directed by Cate Stewart, Sydney Embarrassment Directed by Samuel Kristofski, New Zealand Rejection Aimed by Clairette Littler, Birmingham Life Described by Russell Brownley, San Diego We’re all Going To Die Aimed by Stefan Hunt, Byron BayA superb first payment of an entirely crowd-funded event that has with Commune identified an ideal position.
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