Saint francis of assisi and the stigmata essay

In the art work, Saint Francis of Assisi Receiving the Stigmata, by artist Jan Truck Eyck, we see a landscape which occurs on a rugged hillside overlooking a community. The landscape shows St Francis getting his stigmata, which are genuine wounds appearing on the hands and toes of the individual obtaining the anomaly. These types of wounds happen to be apparently refractive of those which usually Christ endured throughout the crucifixion process.

In the painting, position next to Saint Francis is a guy whom effortless to be Buddy Leo, considered to be with St . Francis if he had a eye-sight of the angel nailed to a cross, and then the showing of the mysterious stigmata. The painting is significantly smaller than I actually expected. I knew that it was small , and from course discussions, nevertheless seeing how tiny it can be, and how extraordinary the fine detail is, is breathtaking. Heureux Francis is usually kneeling, covered in a brown cloak that covers most of his physique except for his head, hands and ft.

Looking nearer at the structure, his physique looks like its contorted, but Im or her assuming thats purposeful in order that the bottoms of his feet are noticeable. The angel is just to the right of Saint Francis head. This individual has 6 wings which might be vibrant doldrums, creams and reds. A pair of them are placed above his head, two are prolonged outwards for his edges, and two are in the bottom half of his physique. The angel is pinned to a mix. The angels head is hung, nevertheless his eyes are directly aligned with the stigmata on Saint Francis hands. The three guys are on a grassy hillside, numerous plants and rocks adjacent them.

The scene is usually painted in great depth, right down to the tiny boat full of people plus the view in the town inside the distance. However, ferns within the surrounding foliage are nearly obsessively realistic. Although the anatomy of the figures is slightly off, to exhibit off the bottoms of Heureux Francis foot, the portrait is very thorough and looks, at first, incredibly genuine. Saint Francis of Assisi and a Devotee, is definitely an older piece of art. It was created in 1285, rather than 1430 like the 1st. It is also a little bit larger. This isnt much taller, nevertheless looks like regarding double wide.

The art work is very Medieval, a great compare to the hyper-realism Renaissance piece of art by By Van Eyck. This landscape depicts Saint Francis and a lover, or someone who is devoted to him. Saint Francis is definitely showing his stigmata on his left hand and has a reddish book in the right. In the head this individual has a halo. There is no impression of space in this piece. Theres no scene that theyre in, no écart line or perhaps perspective. The background is simply a blend of dark green and dark. And the figures, although well-known as statistics, are not anatomically correct.

Once in my life, Saint Francis is proportionally larger than the devotee. As the devotee is usually kneeling, which also makes him shorter, his head and body are smaller than Saint Francis. This subtle size difference creates a clear hierarchy. The devotee is, as stated prior to, kneeling facing Saint Francis. His hands are wide open, palms facing up, and he is searching for at Saint Francis. The figures in Jan Vehicle Eycks, though slightly distorted, still have looks that are incredibly realistic. The faces with the figures from this painting appearance as though they may be the same.

The sole sense of form and dimension will be the small amounts of shadows and highlights on the fabric the figures have on. Both works of art depict a similar subject. They both present Saint Francis with his stigmata facing the viewer. Yet , they were both equally done during different moves and styles. St Francis of Assisi and a Lover is very Gothic. Its characters are special, especially those of spiritual importance. Religious was supposed to be something strange, something that was unfathomably awesome to the prevalent man. Designers depicted the spiritual side to things, rather than the exacto.

The Renaissance was the actual opposite. Lots of the artists had been hyper-realists. That they studied perspective, anatomy, and learned tips on how to almost flawlessly illustrate the things they saw. Yes, January Van Eycks painting is actually a religious picture, but all the figures appear like normal males. Even the angel, save pertaining to the six wings, looks like a normal person. And the setting, which is attractively painted, is most probably somewhere it is possible to go. Both of these paintings possess a similar subject, but they demonstrate to them in two incredibly different ways.

Bibliography:

Eyck, Jan Truck. Saint Francis of Assisi Receiving the Stigmata. 1430-32. Oil on vellum on panel. Philadelphia Museum of Fine art, Gallery 219.

Saint Francis of Assisi and a Devotee. 1285. Tempera and silver on panel with horizontal wheat. Philadelphia Museum of Artwork, Gallery 210.

St . Francis of Assisi. Saints & Angels. In. p., n. d. Internet. 12 Feb. 2014.

The Rev. Ignatius Charles Brady, O. Farrenheit. M. St Francis of Assisi (Italian Saint).

Encyclopedia Britannica Online. Encyclopedia Britannica, n. deb. Web. doze Feb. 2014.