Monte cristo the justice of dissertation

Revenge, Publication Of Revelation, Imprisonment, Romantic Period

Research from Dissertation:

In the event that one views Dantes being a man who embodies a sort of Divine Retribution and works according to the principles of rights, the book appears within an entirely distinct light. One is willing to recognize Dantes’ activities, even if they actually appear to be severe (and murderous) at times. Nevertheless , one is placated by Dantes’ ability to display mercy to Danglars.

However, if one chooses to study the novel as Marinetti describes this – as an attempt to illustrate modern man’s reach for omniscience and power – one may see it as a Intimate dream. With this sense, Dantes becomes a person fashioned following your principles of Rousseau, french philosopher whom wrote of accepting oneself on Natural own terms. Rousseau would not accept the main of original sin and thus did not accept the idea that guy was fallen in characteristics. Viewed using this standpoint, Dantes becomes a Passionate hero, in whose imprisonment is equated towards the modern’s impression of the traditional concept of trouble. Dantes frees himself coming from prison and so from this idea and starts a course of exacting rights on those who betrayed him. Dumas himself describes him thus: “erect and triumphal, like the avenging angel” (517).

From this standpoint Dantes’ quest and pursuit of vengeance is merely because it is Intimate. Dantes’ question at the end in the tale allows him to explore the reasons for his vengeance and analyze whether or not they are just or perhaps not. Because he is a Loving hero and personifies self-acceptance, his vengeance is viewed as morally just: it is part of his plan of upward flexibility and the rightful enjoyment of life, liberty plus the pursuit of delight. Dantes can be heroic because he does not crumble under the fat of more self examination. He discusses himself as Rousseau looks at himself in the Confessions, and realizes that he may not be condemned for pursuing his course of revenge (even whether it might have undesirable consequences). Dantes accepts everything, and because this individual accepts every thing he is able to ascend another stage higher in nobility. By coming to a fresh sense of nobility, he allows Danglars to have his freedom as well (but naturally he have been punished and has also repented as well).

Thus, one could see Dantes as a representative of two varieties of men – one in the Christian traditions, embodying the justice of God and repaying almost all men for his or her actions, if good or bad; and one in the Romantic traditions, embodying the self-acceptance of Rousseau plus the doctrine of possessing a great unfallen character. In the ex -, Dantes’ quest for vengeance is merely because it is reinforced, ultimately, simply by mercy (and therefore representative of God). Inside the latter, Dantes’ quest for vengeance is just since it is natural: this represents (as Copes states) “the natural desire to sanction justice or to deliver comeuppance, a desire that handful of can control completely once wronged” (Copes 362). In any case, Dantes can be judged as morally simply in his actions.

In conclusion, even though the Count of Monte Cristo is a experience of payback, Dantes might be viewed as a personality who serves justly. Through the entire novel, he both rewards and punishes – which represents the Christian concept of Goodness (especially as John details in the book of Revelation). However, Dantes could possibly be viewed as morally just because according to the Natural teaching of Rousseau, there is no explanation to view him as morally corrupt when he is simply acting on a natural instinct. Dantes, thus, may be seen as both a representation of God’s proper rights and as a representation of the Romantic hero’s need to act according to nature.

Functions Cited

Copes, Heith. “Social Control, Deviance, and Regulation. ” Modern-day Sociology, vol. 36

number 4, 362-3. Print.

Dumas, Alexandre. The Count of Monte Cristo. Boston: Small, Brown and Company

1904. Print.

Marinetti, Amelita. “Death, Resurrection, and Fall in Dumas’ Comte sobre