Evidence of the fantasy theme essay

In Wu Cheeng-ens Monkey

English 121 M

Response #2

Feb 9, 2005

I shall say good-bye to you, go lower the mountain, wander like a

cloud towards the corners of the sea, far away to the end of the world, right up until I

include found three kinds of Underworld. From them I will learn how to end up being

young permanently and avoid the misfortune of loss of life (Cheeng-En, 13).

This offer was explained by the Monkey King, who may be the main figure of

the storyline. He is conversing with his enthusiasts in their Give of the Water

Curtain after realizing that 1 day, he will undoubtedly fall victim to

Yama, the California king of Death. He turns into frightened and everybody around him

weeps for their own fatality. Another monkey speaks from those who live

on the The planet who live immortally: Buddhas, Immortals and Sages. The Monkey

Full decides to find these immortals and learn the secrets of eternal

junior.

I chose this kind of quote to start with because I believe it represents the

central theme of illusion in Monkey. It addresses of growing old and a

whimsical quest to the ends of the globe. In this quote, The Monkey King

explains to his fans of his plans to wander such as a cloud. The quote also

describes Loss of life as if this were a thing one could break free. All of these

everything is rooted firmly in great ideas.

In Chapter XIV of the account, the character of Tripitaka comes across

an old female carrying a brocaded cover and padded cap. Your woman teaches him

a spell to help Tripitaka control his runaway disciple. She explains to Tripitaka

that if this individual simply you can put cap and coat on his disciple and say the spell

Tripitaka will no longer have problems with him. The old female claims that

the disciple will give no longer trouble rather than dare to leave

Tripitaka again (Cheng-En, 22). Then this old female changed into a shaft

of golden light and faded to the east. Tripitaka guessed then that

she should be the Bodhisattva Kuan-yin in disguise.

This scene in the story is obviously very fantastic. Magic is actually a

classic tool in imagination literature. From Medieval Marteau to The Wizard of

Ounce, magic has become an effective rhetorical device that captures the

audience with alluring possibilities and darker enchantment. This is a

perfect example of what magic can do for any story line. It also serves as a

sister technique to deus ex lover machina from the point of view that the two can sometimes

act as an easy way out of a rock and a difficult place. When ever realistic

solutions cannot be identified, magic and divine involvement are useful

explanations for an authors cop-out. However , easy way out or perhaps not, this kind of

scene as well as its magic effectively carry on the theme of Illusion in the

story.

In Chapter XVI, the smoothness of Hog undergoes a major change. His

appearance begins to morph drastically and fantasy takes over. His nose

started to turn into a standard snout, his ears started to be larger and bigger, and

great bristles started to grow behind his throat (Cheeng-En, 31).

This change from gentleman to beast is another vintage example of imagination

in fictional works. For example , in Greek mythology, the Our god Zeus turns one of his

mortal addicts, Iio, into a white cow to protect her from Hera. There are

various other examples of this strategy to emphasize dream in fiction.

However , this kind of one seen in Monkey can be described as sufficient 1.

There are many additional examples that support the theme of fantasy in

Monkey. The entire operate is possibly considered a romance piece because of its

deep roots inside the genre of fantasy. Some say fantasy is idiotic. However

Wu Cheng-En successfully creates a account where illusion blends with legend

wonderfully.