Comparison and contrast term paper

Pablo Picasso, Cubism, Contrast, Visual Arts

Excerpt from Term Paper:

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THE ARTISTIC TYPES OF

PABLO PICASSO AND SALVADOR DALI

The artistic varieties of Pablo Picasso, best known pertaining to his large abstractions of the Cubist piece of art style, and Salvador Dali, one of the most essential leaders in the Surrealist motion, have motivated a wide range of music artists and are today considered as the quintessential types of twentieth 100 years art. Picasso as an artist was highly creative and original and took out heavily coming from many historic examples which usually aided him in producing new piece of art styles. Nazareno Dali, like many of his Surrealist contemporaries, sought ideas from loving fantasy and studied the writings of Sigmund Freud regarding the human subconscious head which motivated him to “systemize confusion” through his paintings.

The Cubism style of painting because practiced simply by Pablo Picasso is best represented by his Accordionist (1911, oil on canvas), a construction of large intersecting aeroplanes that recommend the varieties of a man together with his instrument. Web host of more compact shapes, every a copie of some aspects of the initial subject, float in and interpenetrate the larger planes. The entire effect is a new sort of pictorial fact. The viewer is no longer obligated to consider merely a person playing an accordion, yet is permitted to explore the canvas and probe their myriad of objects that have been disintegrated and then reintegrated which offers an excellent variety of views from many different angles and tangents.

Picasso’s experiments with painting proved helpful still even more radical change in what could always be called pictorial reality. In his Still-life With Chair-caning (1911-12, oil and pasted paper), Picasso combines an oilcloth replica of the caned seat seat with elements retrieved

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via disintegrations of pictorial type such as proven in his Accordionist. This painting produces a startling confrontation or perhaps juxtaposition of the commonplace, produced surface with painted summary shapes. The composition not only introduces violent contrasts of texture yet presupposes the painting surface to be itself an object presented touch along with sight-a aircraft surface where materials besides paint have been placed. This texturing with the surface is definitely new and asserts the painting being not a photo but a set area which could receive virtually any kind of using apparently unrelated substances. This type of pictorial art and so representative of Picasso’s style needs a step toward becoming a relief sculpture. Picasso’s experiments with this new channel marked the final of the initial phase of Cubism.

Unlike the style of Picasso, that of Rescatador Dali can be surrealistic or dependent on desire imagery. Dali utilized multiple images of multiple representational meaning to suggest evocations from his subconscious. He also produced a fundamental Surrealist method, the juxtaposition of seemingly irrelevant and undoubtedly