Comparing franz schubert s universalschlussel

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“Where this Meets the New”

In the next essay, I will show a technical comparison and mental comparison of two very different songs, the initial being, “Dietrich Fischer Dieskau Der Lindenbaum Die Winterreise” by Franz Schubert, and “Not Today” by 21 years old Pilots. I quickly will go over some similarities between previous and contemporary music. These types of songs, becoming over a 100 years apart, possess very contrasting applications, but surprisingly enough share several common styles.

Although listening to these two pieces cautiously, I acquired on a few technicalities that every artist/composer employed skillfully. The first was your use of mechanics. Both songs had evident blissful and joyous harmonies as well as increasingly intense harmonies. The use of se desenvolvendo and decrescendo, piano and forte, and major and minor were all-important elements to each of these songs. 1 similarity We picked up was during the even more dramatic part of the items. The underlining misery idea was represented by an internal struggle of escaping poor memories/experiences. I discovered it sort of interesting that even though years upon years have gone by since Franz’s piece was composed, were still composing poetry that revolve around comparable ideas and hold parallel meaning.

Another technicality was the make use of instruments. Franz, being a Romanic composer him self, fell into the stereotypical solo piano genre, while new-schooled Twenty One Aviators is a totally new story. Placing this band in a standard genre is like trying to get a toddler to sit continue to, it’s not going to happen. With that said however , it has parts indie, ordinary, pop, actually spurts of rap. 21 years old Pilots uses instruments like the organ, keyboard, electric guitar, trumpet, drums as well as has some backdrop singers. This may sound like chaos, but they for some reason pull all of it together to compose a few pretty great music i think.

Finally, I’d like to go over rhythm, consistency and musical structure. Franz seemed to include a homophonic texture although Twenty One Aviators had a polyrhythmic texture. Also, the use of polyharmony was within “Not Today” because of the diverse instrumental history accompaniment melodies as well as the background singers in harmony with the lead. The rhythm was quite slow in Franz’s piece, the relative term I am aware, however in comparison to Twenty One Pilot, whose tempo was virtually jumping off the walls, that lacked luster. As for the lyrical composition, Twenty One Pilots had some apparent rhyming, but it was not consistent through the piece. Franz’s piece didn’t seem to constantly rhyme either, but in my own defense We don’t speak German. I just tried to listen to it carefully and recognize the m, but the rhyme scheme appeared pretty existing.

While using technicalities completed, the audio and emotional comparison develops. After listening to Franz’s “Dietrich Fischer Dieskau Der Lindenbaum Die Winterreise” several times, and studied the translated words, I personally construed this part as a yearning look straight down memory lane. As he moves the Linden Tree, he is reminded of all most fantastic memories he did catch. But as the song moves along, his precious memories move from sweet to bitter. The internal struggle fights on for a bit, until it finally eerily dissipates. It ends by coming to the final outcome that you just have to let go and move on from your bad. Convert from your haunted past and make a bright foreseeable future for yourself as time goes on.

For Twenty One Pilot’s “Not Today, ” it surprisingly concerns the same summary. It starts with him sense lonely and depressed, seemingly because of some bad relationship that is conquering him down. This inner struggle develops until a total release of emotion takes place. This is the turning point. He knows he is strong and doesn’t always have to live in all those past recollections, but can in fact make the choice to leave that baggage behind and move on to bigger and brighter issues.

Hopefully I’ve managed to get clear the particular two pieces actually talk about a similar emotional goal: to show away from all those memories/experiences that haunt/disturb you, and decided to make a happier existence for yourself.

Besides the related emotional objective, there were different similarities I came across between music of the past and each of our modern each day music. A very important factor I was contemplating was strap names. My spouse and i realized “bands” could be regarded early orchestra groups or perhaps ensembles, and in turn of our somewhat childish band names, like the “Pussy Feline Dolls” or “The Wombats, ” were most posh about this, and passed academies and schools. Besides band labels, there are also cds. Albums happen to be collections of recordings/songs that are put on practical cds or available to down load which make up an entire work. This could be relevant to a composer’s whole work. Each work has multiple movements, including songs, that comprise the whole whole work. That is certainly essentially what an recording is without modern technology.

In summary, “Dietrich Fischer Dieskau Der Lindenbaum Die Winterreise” by Franz Schubert, and “Not Today” by 21 years old Pilots share common musical elements, such as augmented make use of dynamics, expression, the use of the piano, and a seeming unusual use of vocally mimic eachother in the words of the tune. These two items also reveal a common emotional goal of not residing in the past but instead, being positive and look toward the future. Finally, past music and modern day music also have parallels, like bands and albums.

***Discloser: This really is by no means a specialist analysis of those pieces, although my own thought out conclusions depending on my personal interpretations.