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Character, Sketch

Glossary—The Service provider of Venice Act We, Scene 2 1 . “By my troth”—a mild oath like “Upon my word” 2 . aught—anything 3.

surfeit—overindulge 4. superfluity—excess 5. Hare—to run fast 6. “overname them”—say their particular names more than 7. colt—a young, or perhaps inexperienced person 8. Death’s-head—skull 9. a-cap’ring—dancing 10. pennyworth—a small amount 14. doublet—a snug outer outfit, with or perhaps without fleshlight sleeves and sometimes creating a short skirt, worn by men in the Renaissance, an undergarment, quilted and sturdy with email, worn beneath arm. doze. ound hose—very full brief breeches which usually varied in length from the top thigh to just above the knee, giving a curved look to the hips and showing off the leg. 13. surety—a person who assumes culpability for the fulfillment of another’s financial debt or requirement and him self becomes accountable if the different defaults. 13. viley—highly questionable, unpleasant, revolting 15. Sibylla—the Sybil of Cumae, to whom Apollo granted as many many years of life as there are grains in a handful of sand 16. Diana—goddess of chastity Character Report—Nerissa What does the character wish in this picture?

Nerissa would like to know whether Portia features feelings for any of her suitors and whether she is going to consider disobeying her dad’s will. What is the character’s motivation for carrying out what he / she does? She actually is Portia’s waiting-gentlewoman and good friend, who is concerned about Portia’s upcoming. Also, she shows some eagerness intended for Bassanio to reach with her future husband, Gratiano. What obstacles stand in his or her way? Portia’s independence and defiance of her father’s will that triggers Portia to demonstrate distaste toward all her suitors. What goes on when your persona confronts these types of obstacles?

Nerissa finds the heiress may be interested in Bassanio. Are there any unique elements inside your character’s way of speaking? (Is his of her vocabulary elaborate, simple, musical, or what? ) She is curious and wondering. What is your personality thinking through the scene? (How does they react to the other heroes and incidents? ) The lady in searching about Portia’s suitors. The girl must be thinking about their futures. Character Report—Portia What does the character desire in this scene? Portia desires to choose the fortune of her marriage instead of following her father’s will.

She also generally seems to express interest in Bassanio if he is pointed out. What is your character’s motivation intended for doing what he or she will? She is an orphan which includes no declare in who have she seamlessly puts together so Portia motivation to protest is usually her desire of liberty. Even following her father’s death, she’s still beneath his control. What obstructions stand in his / her way? Her father’s is going to and the test of the cases deciding her husband. What goes on when your persona confronts these types of obstacles? Nothing really, as she only points out all of the flaws from the suitors the girl meets.

What are the distinctive factors in your character’s way of speaking? (Is his of her language elaborate, plain, musical, or what? ) To date she has simply spoken in complaints and a bit condenscendingly. What is your figure thinking during the scene? (How does she or he react to the other character types and incidents? ) She is most likely thinking of loopholes to get out of her father’s demands. She is almost certainly also thinking about Bassanio so when he will arrive court her. Company Report—Queen Murphy’s Two 1 . What goes on in your landscape? Outline the standard events.. Portia complains about how she simply cannot choose a husband because of her deceased father’s will. Talks about the cases and the requirements for Portia’s hand in marriage. b. Nerissa names different suitors of Portia and Portia highlights all their faults. c. Nerissa tells Portia that all the suitors were leaving and Nerissa brings up Bassanio. Portia is interested. d. A serving guy appears proclaiming that the Knight in shining armor of Morocco is coming soon. Portia doesn’t really care a lot of. 2 . What do you think would be the key purposes of your scene? a.

To introduce Portia and Nerissa as key characters and explaining their particular personalities. w. To explain thinking about the caskets (gold, metallic, and lead) and the parameters behind Portia’s engagement. c. To foreshadow the relationship which will happen among Bassanio and Portia down the line. 3. Are these the best reactions for this scene? That Portia seems to be stuck in times that she actually is very stubborn about. To travel against her father’s will certainly, she is headstrong and particular in picking her partner. I feel just like supporting Portia to go on her need to be impartial.