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Film

MAC PC 170: SUMMARY OF FILM RESEARCH ASSIGNMENT 1 – FILM ANALYSIS FILM CHOSEN: Blade Runner (1982) EXTRACT: INT – Sebastian’s Building, beginning with the shot of Deckard climbing in the wall. Length: 9 mins (Chapter 30, Blade Runner: The Final Slice, 2007) The next essay would have been a close examination of an remove from the 1982 film Knife Runner, that has been directed by Ridley Scott. Blade Jogger is a sf film based on the publication ‘Do Androids Dream of Electrical Sheep’ which was written by Phillip K.

Dick.

This essay will also explore how Ridley Scott’s make use of mise en scene and editing in Blade Athlete can demonstrate him since an cr�ateur. An ‘auteur’ is known as the ‘author’ in the film, a director that uses renowned and related traits and themes within a number of all their films. The ‘auteur’ was created through the ‘auteur’ theory, which usually argues the fact that director is the central person lurking behind making a movie. It was first established by a great establishment of film makers in 1950’s Paris. Some of these filmmakers were Francois Trauffaut, Blue jean Luc-Goddard and Jacques Rivette.

They were angered by a crucial establishment in France that lauded a film’s fidelity to a screenplay or story and regarded the film director because merely a translator of material from the verbal moderate to the motion picture. For this watch Trauffaut and company substituted a idea of personal movie theater – a cinema in which the director, not the screenwriter, could be viewed as the handling force in back of the film. (Allen & Gomery, 85: 71-72) This kind of quote points out how the auteur theory began, and how Trauffaut created la politique des auteurs, the policy in which the director is the central creative push when making a film.

Ridley Jeff can be classed as a great auteur pertaining to his repeated use of strong female characters, which are present both in Blade Runner, Strange (1979) and Thelma & Louise (1991), the future as well as the unknown, as well as the ‘created’ man. This composition will explore these points using the close analysis of Blade Runner, whilst also comparing Blade Runner to Alien. Ridley Scott could be classed as an cr�ateur for his use of establishing in his videos, he will create a post-apocalyptic setting, largely set in the ot-so-distant foreseeable future. This can be observed in the extract of Cutter Runner, from the wide viewpoint, long shot of Deckard on the roof. The tall properties, which are close to one another, help to indicate an industrialised city, plus the lack of organic and natural matter helps to show the futuristic world as very hopeless, old and dirty. The application of space encircling Deckard if he is suspending from the roof top help to set up that the metropolis lacks persons and is extremely de-humanised and an almost dystopia, which is very similar to Alien.

Alien and Cutter Runner warn us against a capitalist future eliminated wrong, where such thoughts and you possess are so greatly truncated that the quite textual dehumanization is becoming perhaps the gravest danger. (Byers, 1990: 39) This dehumanization feature which will Ridley Jeff has placed into both Cutter Runner and Alien gives both films a sense of dread to the target audience when both films had been first produced, that the prospect of the earth getting dehumanized is very great.

The shot of Deckard hanging from the roofing also displays how high the building is definitely, with the target audience barely the obtrusiveness of floor, which usually helps to connote a sense of uncertainness from the market, as they are unsure as to whether or perhaps not Deckard will show up. The use of rain in this picture is very powerful, as it makes the scene feel too depressive, making a bleak aspect to the film whilst likewise creating a ‘bad feeling’ for the audience, mainly because it connotes for the audience that something awful is going to happen.

This helps to determine a unsatisfactory, industrialised long term, a one by which there are small humans that is known in Blade Runner, similar to Alien to help to describe Ridley Scott because an auteur. Ridley Scott can also be thought as an cr�ateur for his use of good and decided protagonists, especially in Blade Athlete and Unfamiliar. In this field extract, Deckard can be seen as being a strong protagonist due to his determination to ‘retire’ Roy. This landscape however , likewise shows the group the similarities between Roy and Deckard.

The cross cutting enhancing used at the start of the scene when equally characters will be dealing with their similar side injuries really helps to show the similarity between Roy and Deckard as they are both dealing with similar sort of pain. Deckard with this scene appears very identified to retire Roy, however , if Roy does die, the group seem to get the feeling that Deckard appears sad concerning this. The enhancing in this remove is quite sluggish at first, applying long photos before trimming helping to produce a slow rate to the scene.

The draw out then alterations pace yet , when Roy is ‘hunting’ Deckard, the editing turns into quite fast and quick making it thrilling for the audience to watch. The shot once Roy terme conseill� his brain through the wall membrane helps to demonstrate slow rate turning quickly. The way the croping and editing is quite sluggish and then there is also a jolt – the point where Roy smashes his head throughout the wall – the enhancing then boosts a little following this shot, until Roy’s death where the editing and enhancing slows down rapidly, using dilatory to evoke sadness from your audience.

The Roy smashes his brain through the wall helps to present a sense of electrical power from Roy, which makes a sense of danger toward Deckard through the audience, which makes them feel like he is not safe. There are countless cross-cuts among Roy and Deckard, which in turn helps the audience to see the similarities between the two characters, almost hinting that Deckard may well be a replicants as well. The diminishing between the dead Roy and Deckard, and the use of close ups in Deckard’s sad face the actual audience feel quite sad too.

From this scene all of us learn that Roy just wanted to live and not be a ‘slave’ which produces empathy from your audience. The significance of the ove which is produced when Roy dies implies that the chicken was practically a manifestation of Roy – and the shot with the bird traveling away is a symbol of Roy finally being ‘free’ which leaves the audience sense sad many regretful that they can saw Roy as the villain, especially when we see him jumping in and out of the shadows at the beginning of the scene, like this was almost a game to him.

With this scene, Roy can be seen while the anti-hero. The use of light surrounding Roy when he provides died makes him appear almost god-like, signifying him as powerful, which he has been through this field. The very long shot of Roy and Deckard, when Roy just pulled the dangling Deckard from the roof top to security signifying that Roy is seen as an anti-hero, implies that Roy has more electric power over Deckard. The way Deckard is laying on the floor in Roy’s toes shows Deckard in a submissive way, that human’s will be powerless against replicants.

The close up, low angle upon Roy’s confront after this, the actual audience think quite frightened of Roy. His eyes are big, almost ‘crazy’ and the method Pris’ blood is running down his face make the audience think scared of Roy. Ridley Scott’s lack of lamps in this get can help to discover Ridley Jeff as an auteur, as he also utilizes a lack of light in Unfamiliar. The shot of Roy behind the barbed line, almost signifying a caged animal which in turn replicants have shown similarities to throughout the film, creates a impression of dread and concern for the audience.

The way the mild is glowing behind him creating a large amount of shadows, makes Roy appear a little mysterious as the group are doubtful as to what is likely to happen following. The way the lamps throughout the remove creates a lot of shadows, producing the draw out feel bleak and dark, creating practically a Film Noir feel for the film, produces a bleak, and dark think for the group. Throughout the extract, the only light we see is artificial, because the only light comes from lighting fixtures, bright lights from a ‘Spinner’ promoting the new universe or bright neon billboard’s which really helps to give the film an artificial and futuristic tone.

Ridley Scott’s utilization of dark colors in this landscape, such as grey, black and blue, creates a scary feel to the scene making the audience understand something bad is going to happen. This is just like Alien, since all the lighting in that film is artificial too, coming from the lights from your ship, and the 1984 Macintosh advert which Ridley Jeff directed, may define him as a great auteur. The way in which Ridley Scott continually uses similar features and designs among his films helps to exhibit him as a great auteur.

Cutter Runner and Alien are very similar when it comes to editing and mise sobre scene, the application of this in Blade Jogger helps to create Ridley Scott as an auteur when he uses these types of themes and effects in numerous more of his films. Expression Count: 1505/1602 Bibliography Allen, R. C. & Gomery, D. (1985) Film History: Theory and Practice, McGraw Hill Byers, Thomas N. (1990) ‘Commodity Futures’ in Kuhn, A. (ed. ) Alien Sector, Cultural Theory and Modern-day Science Fiction Cinema, Greater london: Verso. Caughie, J. (ed. ) (1981) Theories of Authorship, Greater london: Routledge Nelmes, J. (ed. ) (2003) Introduction to Film Studies, Greater london: Routledge