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Magic realism – blend of actual and unreal realms. A comparison of Farreneheit. Weldon’s “Puffball” and M.

Winterson’s “The Passion” “My most important trouble was destroying the lines of demarcation that isolates what appears real coming from what appears fantastic” , Gabriel Garcia Marquez At the beginning, let me bring in the term: “magic realism”. Even as can read in N. Lindstrom’s book “Twentieth-Century Spanish American Literature (University of Texas Press: Austin texas. 1994): “Magic Realism can be described as narrative approach that blurs the differentiation between illusion and reality.

It is seen as an equal acknowledgement of the regular and the remarkable. Magic realistic look fuses (1) lyrical and, at times, fantastic writing with (2) an examination of the smoothness of human being existence and (3) a great implicit criticism of culture, particularly the high level. ” I would really like to make a comparison of two superb novels: N. Weldon’s “Puffball” and M. Winterson’s “The Passion” based upon the definition. To begin with, I would like to provide an interesting relation between these two titles, in other words, an physical appearance of two opposite sets of characters in each of the works of fiction: a factual and a surreal sort of a personage.

Fay Weldon in “Puffball” portrays this kind of relationship in a surprising way: a factual type is actually a man, and surreal type is a woman. Let me familiarizes you with Richard and Tucker, the first is a partner to Liffey, a city focused, down to earth person, working in a major corporation. The other one, who will be married to Mabs, regardless of being aware of his wife peculiar powers, is an easy farmer. In opposite, we have females: Liffey, a girl in whose process of changing into a girls (what After all here is her being pregnant) is a start of her new, nearer to Nature existence which enables her to achieve new abilities.

Next, we certainly have Mabs, a regular country-side witch, daughter of Nature, who tries to quit a birth of something new and unexpected – a new sorcerers and her baby. Available, these girls are a connection between a new of unidentified and fictitious happenings and reality. They may be like remainders of Nature’s true electrical power. By contrast, the men (especially Richard) symbolise lust and earthly pleasures, warning us that forgetting regarding our Old Mother may possibly complicate our lives. Also, in Jeanette Winterson’s novel we certainly have this romance (real compared to unreal heroes).

Henri, a wonderfully normal, young man, who even so later runs into different unique situation, comes after the Chief because of his love and respect pertaining to him. Domino, who also belongs to the initial group of heroes, is a regular stableman, who also takes care of Napoleon’s stable, really loves horses and Bonaparte’s mistress – Josephine. On the contrary, we have a secret girl with no heart, Villanell, who comes from a city because mysterious since she is – Venice. The girl tries to go back to her homeland of magic to finally start departing a “real” life.

Likewise Patrick, an Irish priest, who has an extraordinary eye, which permits him to see beyond the horizon and who is banned from his motherland. Whilst being a Napoleon’s solder he misses his home. Here, we can observe a pursuit of love. Henri and Domino have a thing that Villanelle and Patrick don�t have – a hope, even though the last two will be left with a voice of reason which usually shows that occasionally love can be not enough. Next I would like to move to problems concerning a range of places in these novels. In “The Puffball” we have an opposition of London (city) and Somerset (country side).

It is the countryside, where all amazing conditions which cannot be explained happen. Maybe it is caused by the simple fact that it is found in a darkness of a pile which is considered to be mystic – Glastonbury Tor. On the contrary, London, uk is a sensible place, people live all their lives and don’t think about different things than relevant to this reality. From the old times, country was identified with witchcraft and magic, there were tales about jungles which ornamented villages, regarding eerie things occurring at nights. People sensed living in a countryside was unsafe.

Rather, city was just like a safe sector, where you has been anonymous nevertheless, you were under no circumstances alone. A town was a place where almost everything was fair, explainable, and most of all it had been safe – you had never to worry about some thing unrealistic. The ussr in “The Passion” supplies us using a harsh actuality of war: we are witnessing death, cool, fear. Our company is being led through the us of undergo by Henri, Patrick and Villanelle. It is like an escape route to a better, fairy-tale like world – Venice. In Venice, we are able to observe a fresh interesting technique of presenting incongruity: a city within a city.

The underworld of Venice, the kingdom of mysterious, but risky people, in which nothing is sure and regarded (even laws and regulations of physics), where you may not be sure if you are intending in a right direction. Venice is like a maze, right here you can conceal yourself plus your feelings. Each night the city begins to bloom – it is a associated with sin and fun. Alternatively, Russia is known as a sad and cold place, where is merely an empty space of white-colored. At the baumlose graslandschaft you cannot fool yourself, work or cover because there is merely snow. I would really prefer to devote the last section to events of these two novels.

In Fey Weldon’s book Rich leads an ordinary, middle class life inside the city of zero hope or glory. He can working on the city, trying to overcome his desires, and eventually to avoid responsibility for what he had done. His relationship with Liffey reveals his deficiency of imagination, his numerous friendships and frequent unfaithfulness to his pregnant wife makes him gloomy man. As an example, his affairs with Belissima, Miss Matn and Helga – it can be ridiculous just how these affairs start to guideline his lifestyle. On the other hand, we have Liffey and her attempts to reborn to Characteristics.

She regularly tries to escape Mabs black-magic, and thanks to her developing fetus she awakens to the world of Mother nature and witchcraft. The opposite of incidents coming from Richard’s life and uncommon happenings which in turn for Liffy becomes a daily bread, displays us how sometimes ignorance shut the eyes to a reality of your another person – Richard refuses that Liffey’s life is likewise real and this she did not make up all of the extraordinary events. In “The Passion” were presented for the life of Henri’s town. It is a day to day life of usual farmers, in which an only surreal and extraordinary function was a great elope of a lady (Henri’s mother) with a farmer (the father).

Although Villanelle’s community is different, this can be a world where one can steal they’ve hart (literally) and fasten it up within a jar, in which a icicle which has a pendant inside does not burn. Here, you will need to prepare for not known. An ordinary, country life and an amazing Venice lifestyle are like a water and fire. Sometimes, we fails to observe that straightforward is better and this not always we have to seek for a great excitement. As we can see, in both novels we have dominant elements of magic realism. The opposition actual versus unreal can be manufactured in each of the number of instances mentioned previously, which are in sequence: characters, areas and occurrences.

Also, I want to point out that in “Puffball” a witchcraft is a main theme to get the surreal parts, whilst, in “The Passion” an urban tale performs this function. A fusion of two globe is unavoidable, we cannot argue that the unreal components should not be applied and we simply cannot separate them from the genuine ones, since these reports would not become as complete and charming as they are today. At the end, to recapitulate my own thesis, I want to quotation Albert Einstein: “Reality is just an false impression, albeit an extremely persistent a single. “