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Every actions was combined in one frame capturing the whole shot, stuffed with conflict and movement. This framing helped bring the tension from the film up a few steps and followers were able to go through the impending explosion of anger between the characters. The unconventional use of cinematography aspects in this film efficiently brings forwards the concept of the Surrealism, using its “unusual framings and camera movements (Strom, 2003, p. 8), that happen to be styles delinquent to Surrealism. Editing The different use of enhancing was as well one of the most noted aspects of The Manchurian Candidate.

According to Carroll (2003), “editing, or montage, was generally celebrated as the most important, essential characteristic of cinema (p. 153). Hence the right choice of editing and enhancing technique would set the pace and coherency with the film. This may bring us for the editing tempo of the film- the very long takes versus the accelerated assemblage. The landscape that presented a long have, happened once in Key Marco’s train ride coming from Washington to New York. Ámbito was sense jittery and nervous, as a result he made a decision to leave his train seat and visit the back of the train for a few fresh air.

This individual arrived at the past carriage, and stood along with his back bending against the wall. A woman adopted Marco and entered the same carriage. She had discovered Marco coming from before, and decided to comply with him to the back end. Marco and the woman began to strike up a conversation, with random little talks that made zero sense. This whole field involved not any cuts at all, all shot at one go and thus showcasing the aspect of a “long take. The lengthy take forms on the pressure between the conference of two strangers, demonstrating the entire dialogue between Ámbito and the girl, despite it being non-sensical and odd.

The audience had taken in the scene at a single go, after which it leaves them thinking “what is placed underneath this exchange of words between Major which woman?  The extended take establishes a fact that the scene is very important, as it “intensifies a shot (Goldberg, n. d), contradictory that the content of the scene can be random and consist of small talks simply. As opposed to a good take, which will consists of virtually no cuts, a great accelerated assemblage consists of photos with progressively shorter lengths.

With regards to The Manchurian Candidate, the accelerated montage editing aspect occurs during the “Convention field, where Raymond Shaw was sent on the mission to assassinate the President. Through this particular field, Sergeant Raymond Shaw was instructed simply by his mom to shoot the newly elected Chief executive at the Madison Square Yard, with Main Marco trying to stop Shaw from achieving his mission. The establishing shot of Madison Square Garden showed Raymond jogging through rows and rows of empty tiered seats, coming to a small space high over a arena.

He positioned his rifle when he prepares intended for his mission to assassinate the chosen President when he was offering his talk. As packed areas filled the arena, Major Marco challenges to locate Shaw in hopes of stopping him. The whole collection was modified with the cross-cutting technique. Through cross-cutting, it assists to create tension and gives the sense of joy when the audience sees Shaw preparing to open fire his rifle, as Ambito runs frantically to stop him. From the starting shots of Shaw planning his gun and discovering his goal to Ámbito searching anxiously for Shaw, was edited with photographs and reduces that acquired shorter and shorter.

It adopted the technique of Accelerated Montage, which acts to create stress and keep the group at the edge of their seats. Since this is the climaxing of the film, by using cross-cutting and accelerated montage, the film deals with to capture the audience’s focus and forms a highly stimulating and interesting sequence. Motifs The Manchurian Candidate uses several occasion in this film to drive house its concept and to develop its idea. One of the most obvious motifs found in this film would be the Reddish Queen, or maybe the Queen of Diamonds.

The Queen of Diamonds card had made an appearance several times in the film, particularly during views that involved Raymond Shaw being brainwashed. In this film, the Communists had conditioned Shaw’s mind into getting commands and fulfilling all of them like a automatic robot would. Nevertheless , this brainwash condition can easily be triggered when Shaw hears the queue “Why i remember pass enough time by playing a little video game of solitaire?  After which, Shaw will proceed to sign up for a stack of credit cards robotically and began playing.

As he plays the game, he’d eventually draw out the Queen of Diamonds card, and upon finding the card it would fully switch on Shaw’s brainwashed condition. At first glance, it may seem the Queen of Diamonds theme is played out out to bring about Shaw’s mental condition. Yet , as the film moves along, the objective of using the Queen of Diamonds began to clear up- that the Queen of Expensive diamonds was related to Shaw’s mother, Eleanor Iselin and later in the film, his soon-to-be partner, Jocie (Blakesly, 2007).

According to Blakesly (2007), the Queen of Diamonds card represented “an adamant girl, his mother, someone Raymond would rather not really see. Through the first few scenes, Shaw accepted that he “despised and loathed his mother. It was eventually says Shaw’s mother was as well part of the Communist conspiracy, and a woman starving for politics power. Consequently, the card that could trigger Shaw’s mental state was chosen to be the Princess or queen of Expensive diamonds, which signifies his mom and hinted that his mother a new connection with the Communists. As stated before, the Full of Expensive diamonds is also referred to as Red Queen.

In this case, it represented Communism as this kind of film was shot and based on the Cold Warfare, which was recurring during that period. Blakesly’s research surmises that: Another activating device intended for Raymond’s health and fitness is when he looks after the California king of Gemstones, the Crimson Queen, together with the concomitant marriage of “red to the “Red scare, the communism that the still left in The united states, with rare exceptions, continue to recoils. (p. 218) Besides being a number representation of Shaw’s mother, the Princess or queen of Gemstones also got on the representation of The reds.

Hence it would make sense to why Shaw would fall into a state of “brainwashed condition upon discovering the Princess or queen of Diamond jewelry card- having been being controlled by the Communists, with the card offering as a reminder that Communism overtook his brain. Other than the Queen of Diamonds motif, the film also used Abraham Lincoln subsequently as a theme. The use of Abraham Lincoln runs from apparent pictures of Lincoln himself, hanging in the Iselin home to a more subtle contact form, where Johnny Iselin decorates at Abraham Lincoln in a masquerade get together.

The Iselins were from the Right-Wing, or Republican get together. The use of Lincoln subsequently signifies the stand that the Iselins consider within political context and to serve as a type of contradiction between right and wrong. Abraham Lincoln was a prominent leader of the His party Party. In accordance to Redding (2008), the film was “mediating figuratively, metaphorically on the politics heritage of Lincoln’s republic among a corrupted general public sphere. Lincoln subsequently was used emblematic to represent America, and the director’s portrayal in the Iselins served as a satire of the America politics during that time.

Johnny Iselin, the Senator, was portrayed being a drunk, impulsive and allergy person. This individual often confronted the government with issues concerning the communist, once in fact , he can also area of the communist conspiracy theory to take within the American federal government. This is a parody of “McCarthy, who was a rash and impulsive Senator from the Republican Party. During the time he served as a Senator, he frequently appeared drunk and triggered a lot of controversy. Therefore the portrayal of Ashton Iselin based on McCarthy, as well as the images of Lincoln every served to fuel the director’s épigramme on the politics situation.

Throughout the masquerade party scene, Ashton Iselin decked out as Abraham Lincoln, a contradiction as he is working together with the communists whereas Lincoln was considered to be a righteous politician in the past. To further highlight the contradiction, Johnny’s better half, Eleanor Iselin dressed up since Bo Research, a character which usually symbolizes innocence and naivety. However , as stated previously, Eleanor was anything but innocent. She worked hand in hand with the communists in order to gain political foothold. Hence, this portrayal also provides to show a contradiction between right and wrong, righteous and nasty.

Portraits of Abraham Lincoln decorated the Iselin home, and in a particular scene, wherever Eleanor was confronting Raymond about his love fascination with the daughter of a Senator from a great opposition get together, Lincoln was “staring straight down at the conflict. This is just one more example of contradiction between right and incorrect, the mom being an wicked influence was threatening Raymond to give up his love and Lincoln’s face in the background provides to help remind us mild will prevail, as the portrait was hung previously mentioned of Eleanor as the girl speaks.

The various motifs of the film helped shaped the whole plot and provided target audience with indications, when they see the Queen of Diamonds they immediately would know that Raymond Shaw would be brainwashed. Additionally, it helped to bridge particular morals or theme of the storyplot with visible elements, like the battle of right and evil was shown throughout the portayal from the Iselins vs . Abraham Lincoln subsequently iconography. Bottom line This newspaper discussed just how use of cinematography, editing helped bring across the theme of surrealism, and delivered a thrilling effect while the occasion helped connection the Concept of the The Manchurian Candidate by using visual elements.

In conclusion, The Manchurian Applicant made use of highly unconventional cinematography and editing and enhancing aspects that successfully exhibited the theme of “surrealism and effectively created tension and thrill, for the audience. Keeping in mind the powerful use of motifs, which helped developed the key theme by using visual components and triggered thought from the audience because they watch the film, when trying to part the puzzles together.

Bibliography * Blakesly, David (2007) The Terministic Screen: Rhetorical Perspectives about Film. Illinois: SIU Press * Carroll, Noel (2003) Engaging the Moving Image. USA: Yale University Press * Chung, H. S. (2006) Showmanship Asian: Philip Ahn and the Politics of Cross-Ethnic Efficiency. USA: Forehead University Press * Goldberg, * Mann, Denise (2008) Hollywood Independents: The Postwar Talent Takeover. Minneapolis: School of Minnesota Press 5. Redding, A. F. (2008) Turncoats, traitors, and other travelers: lifestyle and national politics of the early Cold Warfare. USA: University Press of Mississippi 5. Strom, Kristen (2003) Resurrecting the Stylite Simon: Bunuel’s Surrealist Film. P. eight