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History

Art Hist. Assessment Ancient Greek Art and Mid-foot. (600 BCE-30 BCE) Early Classical Period 480-450 BCE 5.

twenty three KRITIOS YOUNG MAN Acropolis, Athens 480 BCE -Marble -He is personal confident and serious looking -He is a sculpture inside the round -The artist is believed to be KRITIOS -The figurine has an S-curve to him and is in the contrapposto present, which is when artists make use of tension and relaxation around the central axis of the physique to increase to muscular stress and improve the musculature of your body. Pyschological data reports here since his excess weight is all on the left foot, creating his hip to jut out.

His right leg is somewhat bent and he contains a slight drop in his shoulders. -The musician also produced a point to have his brain slightly took on hint that the viewer is going to take in the entirety of the piece. High Classical Period 450-400 BCE 5. 29 HOLD, ATHENS 447-432 BCE -In the Large classical period which just lasted a half-century and set the standards pertaining to art and architecture. There is also turmoil between the Spartans and the Athenians in this time period which was known as the Peloponnesian War. -“Acro means substantial and “polis means metropolis. The Acropolis of Athens was once regarded a fortress and haven but was later turned into a religious and ceremonial centre to get Athena the cities patron and protection. -It was destroyed by Persian troops in 480 BCE and was going to become left and a memorial service site of ruins but Perikles persuaded them to restore it. 5. 31 Parthenon, Acropolis Athens 447-432 BCE -KALLIKRATES AND IKTINOS -Pantelic Marble -Has the pediment, frieze, triglyph, metope, architrive, abacus, mechinus and necking -Athens, Corinth and Spartis. Depicted gods and goddesses who they will believed were immortal and supernatural -Sanctuaries for gods and goddesses in sort of outdoor alters, replaced simply by temples integrated into natural web page -temples adorned with ceramic sculptures -mathematical proportions which in turn artists value to convey structure and purchase 4: being unfaithful ratio 4, 2+1 -human values of truth virtue and a harmonious relationship -High traditional period -plain capital -temple dedicated to Athena -stylobate ground columns rest on and stereobate foundation on its own -post and lintel system -entasis content slightly enlarge in the middle -Doric order basic capitals peace, prosperity and power throughout the building projects -transport real wood, gold, marble and off white -sculptures observe the Traditional victory more than Persians your five. 32 EAST PEDIMENT IN THE PARTHENON 447-432 BCE (ATHENS) , Excessive Classical period 450-400 BCE -Sculpture in the round packed both pediments of the Parthenon -illustrated the birth of Athena, fully produced and clothed in armour, from the brow of her father Zeus. -The figurines from the west pediment are the best preserved in the two. -besides Zeus and the newborn Athena are 3 goddesses followed by a single lying male number who could be Diomysos or Herakles. In the left spot was Helios (sun god) in his horse-drawn chariot rising from the ocean and to the best the celestial body overhead god Selene descends in her chariot to the ocean. -The operating female figure in the center is Iris the messenger in the gods. S. G. 134 SPEAR BEARER (DORYPHOROS) 450-440 BCE (NAPLES) -POLYKLEITOS -Marble -developed canon of amounts system of measurement used to identify the dimensions of the physique -contropposto present is stability and make up for one feet bearing fat and one not bearing the fat.

In this case his right feet is the one bearing all of the weight of his body system while the left foot is definitely relaxed. -It is said to be the hero Achilles -Theorists assumed that the standard unit was the length of the characters index little finger or the size of the numbers hand across the knuckles, other folks think it absolutely was the height of the head coming from chin to hairline. -S-curve -High time-honored period -spear bearer, idealized, exaggerated The Late Time-honored Period 400-323 BCE 5. 46 GUY SCRAPING HIMSELF (APOXYOMENOS) 350-325 (VATICAN) -LYSIPPOS -Marble statue -Done back in the classical period male nude athlete, which is a typical Time-honored subject -This is a figurine in the rounded that depicts a young athlete after his workout taking away dirt and oil from his physique with a tool called a strigil. -Has a different canon of proportions than The Spear Bearer. -His brain is small in proportion towards the Spear Bearer and his legs are distributed further apart to make up for his outstretched arms. -There is a evident S-curve to his position. -The arms break free in the surrounding space inviting the viewer to take the whole of the piece. The Early Roman Empire twenty-seven BCE-96 CE P. G. 76-177 PERROQUET PACIS AUGUSTAE 13-9 BCE -Ancient both roman art -Dedicated to Augustus’ triumphant come back from the capital after three years of establishing Roman rule in Gaul and Hispania. -It was aligned with a big sundial. -it contained propoganda of portraiture and whodunit, religion and polotics and the private and the public. -on the inside of the adjust there are foliate garlands suspended in swags from ox skulls, which in turn symbolize sacrificial offering in the alter during annual commemorations and garlands signify the continuing peace and wealth brought to the Roman community by Augustae. Augustae’s Imperial Family is represented on the to the south side of the Ara Pacis and symbolize his expanded family, perhaps Marcus Agrippa (far left) who might have been his replacement, beneficiary. The child pulling at Agrippa’s robe is possibly Agrippa’s son Gaius Caesar. The women next to Agrippa within the right may be Augustus’ better half, Livia who have grasps her younger daughters hand (Germanicus) who is in beside Tiberius (the up coming emporer). Lurking behind Tiberius is usually Antonia, Augusts’ niece who have looks at her husband Drusus (Livia’s youthful son). -Pax Romana , Roman Tranquility -pointifex maximus, high clergyman 6. 34 , six. 5 FLAVION AMPITHEATER (COLOSSEUM) 70-80 CE (ROME) -Tuscan bottom -Ionic middle -Corinthian on top -It was called the colosseum because the statue of Luttuoso called the colossus was standing next to it. -seating was by rank decrease the rank higher you sitting -Early Both roman Empire -Flavion dynasty -begun under Vespasian finished underneath Titus -soldiers would combat animals -tiered seating with good eyesight lines via where you stay. -Top level covered by and onning -top story in referred to as attic room -cartouche , shield formed ornaments -look at Both roman arches Large Imperial Fine art of Trajan and Hadrian 6. 37 MODEL OF IMPERIAL ROME 324 CE

Colosseum, Temple of Venus and Rome, Mid-foot of Titus, Basilica of Maxentius and Constantine, Rorum of Vespasian, Forum of Augustus, Discussion board of Julius Ceasar, Rostrum, Forum of Trajan, Basilica Ulpia, Colmn of Trajan, Patheon. six. 45 THE PANTHEON 118-128 CE (ROME) -It was built for the “all the gods -built by Marcus Agrippa child in legislation of Augustus -it provides a giant rotunda surmounted by a huge, bowl-shaped dome. -the oculus that allows light in the rotunda building shows a pattern-like formation when looking up at the coffers in the dome’s ceiling. -Corinthian columns -optimus is a skylight or starting in dome corticoid of columns -Exadraie niche for the sculptures rectilinear and rounded curve -made away of stone and tangible (powdered lime, small rubble, pebbles, rubble) -produced during high imperial period -Hadrian oversaw building of this this individual admired Ancient greek art and arch. -podium or steps in front of building that lead to veranda -Rotunda and dome -Pantheon means all of the gods Early Christian Fine art P. G. 228 OLD ST . PETER’S BASILICA 320-327 (ROME) -It is a longitudinal-plan churches will be characterized by a forecourt, the atrium, leading to an access porch, the narthex, which spans one of the building’s brief ends. The nave can be lit by windows along its higher level just below the clerestories, called a clerestory above the areas roof. -At the opposite end of the embarcación from the narthex is a semicircular projection, the apse, which in turn functions since the building’s focal point where alter, brought up on a system. -plan is known as the Latina cross CHURCH OF SANTA CLAUS COSTANZA 350 (ROME) -This church is actually a central-plan cathedral, which were 1st used by the Christians. -Central planned churches have an atrium, a narthex, and a great apse. It has a central more vertical axis from the center up through the dome, that might have performed as a representational “vault of heaven. 7. 15 ORATORY OF GALLA PLACIDIA 425-426 (RAVENNA) -It is one of the first surviving Christian structures in Ravenna is definitely an oratory, which is a tiny chapel). -Its named after Honorius’ half-sister Galla Placidia. -Galla Placidia was the daughter of Western Both roman Emperor, the wife of any Gothic Ruler and the mom of Emperor Valentinian. -This small building is cruciform, which means cross-shaped. -Each arm is covered with a Barrel or clip vault and a pendentive dome covers the sq . base in its center. it can be designed to allow you to feel like you happen to be walking in the real world towards the supernatural globe as you enter the interior with the church. -the upper walls are filled with standing apostles, gesturing like orators. Endless life in heaven is usually symbolized by doves flanking a small fountain between the apostles. -The Marter caries a cross over his shoulder like a trophy gesturing towards the fire-engulfed grill he was roasted in martyrdom. The Gospels should be the left signifying the faith for which he gave his your life. 7. sixteen THE GOOD SHEPARD 425-426 (RAVENNA) Jesus can be an adult chief wearing purple and platinum royal robes. He dons a fantastic halo and carries a glowing staff that ends in a cross to represent his soberano majesty. -Christianity was the official state of religion for the 45 years this is why the artist chose to depict Jesus in the mosaic. Early Byzantine Art several. 17 CHURCH OF HAGIA SOPHIA 532-537 (ISTANBUL) -ANTHEMIUS OF TRALLES AND ISIDORUS OF MILETUS -means O Wisdom -It was remanufactured after a disastrous revolt that killed 30, 000 people set fire to the outdated church burning it to the surface. -Anthemius and Miletus rebuilt the church in just five years longitudinal and central architectural organizing -flanking conches-semi domes-extend the extend central space in longitudinal nao with the narthex on one end and the 1 / 2 dome with the sanctuary apse on the other. The core known as the naos is flanked by aspect isles and galleries looking over the naos. 7. twenty CHURCH OF SAN FONDAMENTAL 520 (RAVENNA) -Ecclesius bishop of Ravenna commissioned two new churched one intended for the dock and 1 the city. -A martyrium is known as a church constructed over a burial plot was focused on 4th-century Roman martyr St . Vitalis inside the 520’s -central domed octogon with circular rooms flanking the apse. the cathedral and building are signed up with by a distinct oval narthex and access to second ground gallery. -It has a double set of entry doors leading into the church. 7. 21-7. twenty two CHRIST ENTHRONED, FLANKED BY ANGELS, ST VITALIS AND BISHOP ECCLESIUS 547 ( RAVEENA) -Early Byzantine Artwork -Christ is usually flanked simply by St . Vitalis and Bishop Ecclesius. -Christ appears dressed in imperial violet and enthroned on an orb of heaven, which is noticeable because of the some rivers that flow under him. -two winged angels flank him, like soberano bodyguards or perhaps attendants. -Christ holds a scroll with 7 closes at his Second Coming at the end of your time. he gives a crown to martyrdom (far left) labeled by simply St . Vitalis. -Bishop Eucclesius holds an auto dvd unit of the church offering this to Christ. 7. twenty three EMPEROR JUSTINIAN AND HIS ATTENDANTS, NORTH WALL STRUCTURE OF APSE 547 (RAVENNA) -Early Subtil Art -Justinian carries a significant golden paten that will be used to hold the Eucharitic Host and stands next to Maximianus, who have holds a gold treasure encrusted cross. The priests to the right hold take the Gospels, within a golden jeweled book that symbolizes the coming of Expression, and a censer with burning incense to purify. 7. 24 EMPRESS THEODORA AND HER ATTENDANTS, TO THE SOUTH WALL OF THE APSE 547 (RAVENNA) -Early Byzantine Art Theodora has on a fantastic halo and elaborate top while the lady stands under a fluted shell canopy, your woman carries a jeweled golden chalice. -The rulers present these kinds of gifts because offerings to Christ -At the bottom of Theodora’s cloak the three Magi who helped bring gifts to Jesus are depicted. -Revolves around designs of offering -They stand beside a fountain as well as the open doorway and curtain are space-creating devices. 7. 35 CHRIST PANTOKRATOR BY CREST OF CENTRAL DOME, WITH DISPLAYS FROM THE EXISTENCE OF CHRIST IN THE PENDENIVES, (GREECE) OVERDUE 11TH 100 YEARS -Early Subtil Art The image of the Pantokrator is at the centre from the dome such as a divine surveyor. -Christ blesses the segregation with one hand and clutches a massive book in the different. -In the corners piers are several signal life episodes: Annunciation, Nativity, Baptism and Transfiguration. 14. 13 14. 16 PALACE CHURCH OF CHARLEMAGNE 792-805 (GERMANY) -The Carolingian Empire , Was Charlemagne’s private place of worship. -central octagonal plan with a amazing western entrance block. -It used westwork, which is a composition combined with a ground-floor narthex and an upper level throne space that opened up onto the chapel in house. It also opened up outside into a large walled forecourt. , The main of the church is surrounded by and portable and a gallery for the second flooring which increases to a clerestory under the dome and over a gallery. -There are Corinthian columns around the gallery level. -This church was obviously inspired by simply Byzantine Structures with the mosaics and patterned multi-colored rock. 14. of sixteen SAINT GALL PLAN 817 (SWITZERLAND) -The Carolingian Disposition -At the middle of the Saint Gall Strategy is the cloister, which is an enclosed courtyard which will opens all of the buildings which might be most central to the lives of the monks. the large basilican church towards the north with the cloister is usually where monks would collect for communal prayer the whole day and nighttime. -on the north side of the house of worship there were public buildings. -the monks living quarters were off to the southern and far eastern sides in the cloister together with the dormitory, refectory and work rooms. , the kitchen, brewery and food handling business were mounted on the refectory and a massive cellar was on the western side. -Along the East edge there is also a hospital, cemetery, and an educational centre. 14. 24 DOORS OF BISHOP BERWARD 1015 (GERMANY) -Bronze doorways are more than 16 ft tall. Ottonian Europe -cast in the shed wax procedure -the left side depicted scenes from the Hebrew bible as well as the right was scenes in the new legs. -It describes life in paradise, the fall, your life in the new world and Eve’s children that you write in the cue section and Guarantee of Return to Paradise, The eagerness, Infancy of Jesus and Mary’s kid on the proper. -all portrayed in low relief Romanesque Art: in the Roman method P. G. 458 THE PILGRIMAGE TRACKS TO SANTIAGO DE COMPOSTELA -In the 11th and 12th generations religious pilgrimage became quite popular in European Europe. 12-15. 7-8 THE ABBEY BY CLUNY 1088-1130 (FRANCE) inside the 2nd half the 11th century there were 200 monks in residence. -The cloister is in the center with the monastic community joining the church with domestic complexes and training courses. -it acquired elaborately created capitals and relief sculptures on the piers. -it may have been to immediate and inspire the monks thoughts and praying. -Cluniac monks observed the regular 8 several hours of the Divine Office spread over the day and night. -The church was obviously a basilica with five areas, double transept with places of worship and a great ambulatory and radiating places of worship around the adjust. The nao had a three part elevation -it experienced pointed curve with Traditional ornaments. -there were clerestory windows in each these types of and a pointed barrel or clip vault with transverse rebattu. 15. 9 -10 NAVE, ABBEY CHAPEL OF NOTRE-DAME, FONTENAY 1139-1147 , founded by St Bernard of Clairvaux , no room decoration as they believed it might be a distraction to the monks , Cistercians led an extremely austere basic life , Romanesque means in the The italian capital manner , Feudalism lords owned lands loaned to Basils and bellow Basils were Peasants , Building has simplicity, austerity Windows symbolize the holy trinity- father, boy and the holy ghost , Cloister is definitely where the monks gathered , Simple geometric plan using a long bay-divided nave, square chapels off of the square concluded transept hands and a shallow négliger. , You will discover pointed barrel or clip vaults over the nave and pointed rebattu in the embarcación arcade and side region bays. 12-15. 22 SOUTHERN PORTAL AND PORCH, EXHIBITING CHRIST IN MAJESTY, PRIORY CHURCH OF SAINT-PIERRE, MOISSAC 1115 (FRANCE) -Christ in Majesty rules the tympanum and is a visible of the Second Coming in chapters 4 and 5 in the Revelation. He could be enclosed with a mandorla and a círculo rings his head -the four winged creatures represent the evangelists, Matthew the man, Mark the lion, Lomaz the ox and Steve the bald eagle. -rippling artists may symbolize waves inside the “sea of class like crystal THE LAST COMMON SENSE TYMPANUM AT AUTUN 1120- 1130 (FRANCE) -GISLEBERTUS -Inscription in Latina on Christ -Mary is usually enthroned while Queen of heaven and St . Peter bellow can be shown with the large secrets slung more than his glenohumeral joint as beautiful gatekeeper. -angel pushes the saved into open archway and in to heaven one more figure stands beside the angel impatiently ready to be hoisted up as very well. cross and scallop cover identify two bottom numbers as former pilgrims and you will be a factor inside their favor at the last wisdom. -hell is represented as being a Basilica together with the devil rising capturing sinners for endless torment -he uses a sharp hook for capturing luxuria who is the personification for lust. Gothic Art of the twelfth and thirteenth Centuries 16. 6 WESTERN WORLD FACADE, CHARTERS CATHEDRAL 1134-1260 (FRANCE) -dedicated to the virgin mobile Mary it is main value is a part of cloth said to have been put on by the Virgin Mary when ever she offered birth to Jesus. -It was a gift from Byzantine Empress Irene to Charlemagne surrounding three doors is a Royal Web site used for crucial ceremonial gates -the midsection tympanum Christ enthroned in majesty returns at the end of your time surrounded by four evangelists. The apostles in 4 sets of 3 fill the litel while twenty-four elders from the Apocalypse line the archivolts. -The proper portal is dedicated to the Incarnation and shows Martha in the early life of Christ -in the left portal is the Ascension exactly where Jesus floats up in a cloud maintained angels. -On the top of the three sites Jesus’ your life on earth is depicted in a series of story scenes. Kings, Queens and prophets through the Hebrew scriptures are what give the Royal Portal its name. 16. 10-11 NAVE , PLAN, EVENTS CATHEDRAL 1194 (FRANCE) -Romanesque pilgrimage prepare -became normal Gothic composition -it applied pointed arches, ribbed visage vaults and flying buttresses. -upper level was at this point a triform rather than a gallery -the large clerestory windows are shaped with lancets that have tiny circular flower windows created by plate tracery-holes cut in wall replace by stained glass 16. 12 THE GOOD SAMARITAN WINDOW 1200-1210 (CHARTERS CATHEDRAL) -On trouble and solution and is Medieval narrative skill -Jesus told his supporters to teach a moral truth it is a parody for Jesus’ redemption pertaining to humanity’s sins -Adam and Eve’s show up introduce trouble into the world and Christ rescues humankind from trouble -figures define gothic numbers because of their dancelike postures 16. 13 ROSE WINDOW AND LANCETS (CHARTERS CATHEDRAL FRANCE) 1230-1235 -quatrefoils are four lobed patterns within the flower itself , The North Rose as well as its five lancet windows were a gift coming from Queen Blanche of Castille in 1230. -The rose window describes the Louange of the Virgin mobile: Virgin and Child between doves and angels, in that case Old Legs kings and Old Legs prophets. Lancets, from still left to correct: Melchizadek and King Saul, King David and Ruler Jeroboam, Street Anne and the infant Jane with the arms of the Hoheitsvoll House of France, Ruler Solomon and King Nebuchadezzar, Aaron and Pharaoh. 18. 14-17 THE CATHEDRAL OF NOTRE-DAME IN REIMS 1211-1428 (FRANCE) -finished under Philip the Good -five learn masons described the work on the century. -Mary is showcased in the central portal, as a result of growing demand for her conspiracy. -Christ crowns her since queen of heaven in the central gable. -“the photo gallery of kinds is the simply horizontal component of the facade.

WEST FACADE -It depicts Visitation and Mary on the left hand side and Elizabeth pregnant with St . John the Baptist on the correct. -the characters are in contrapposto cause because their particular weight is definitely shifted to a single foot as they turn toward each other. -Villard highlighted an innovation that was the advancement bar tracery, where slender stone bars called mullions are placed into the wall to form a idle framework intended for the tarnished glass. 16. 31-32 PULPIT 1260 (ITALY) -NCOLA PISANO , Corinthian columns -elevated and are created in design of animals -gothic trefoil mid-foot and 6 sided pulpit enunciation perspective of Gabriel announces that Mary is pregnant with Christ -classical and naturalistic style -New Testament Subject matter -Each panel narrates a lot of continuous moments such as: Annunciation, Nativity and Adoration in the Shepherds. 16. 33 NATIVITY 1302-1310 (PISA) -GIOVANNI PISANO , deeply carved environment -Mary looking at her baby while the midwife below her prepares the bath intended for the child. -Sheep, shepherds and angels spiral up for the trees to the right -it is as powerful as Nicola’s is stationary. Fourth Century Art in Europe 18. 5 VIRGIN MOBILE AND KID ENTHRONED 1280 (FLORENCE) -CIMABUE -tempera and gold on wood -panel the Virgin and Child are between angels and places a row of Hebrew prophets below them. -Mary can be depicted in hierarchy and holds Christ on her clapboard. , the girl looks at the viewer while gesturing for her son. -her throne is dureté with enamels and gems inset and supplies framework for the figures. He uses thin precious metal lines to highlight the drapery of the characters to give them a sense of divinity. -he gives naturalistic warmth and dimensions to his human numbers. 17. six VIRGIN AND CHILD ENTHRONED 1305-1310 (FLORENCE) -GIOTTO DALAM BONDONE , tempera and gold about wood panel -painted for the house of worship of Ognissanti figures are in a symmetrical composition and use the pecking order scale like Cimabue’s Virgin mobile and Kid Enthroned. -Mary takes up a large number of space and overwhelms her Gothic throne. -the aura also overlap the faces of the characters in the background -she holds her child’s lower leg instead of directed to him. -he has established a better feeling of dimension compared to Cimabue’s -the angels are foreshortened and job towards us. 17. several SCROVEGNI (ARENA) CHAPEL 1305-1306 (PADUA) -GIOTTO DI BONDONE -fresco -he covered the entrance wall membrane with The Last Judgment and the sanctuary wall membrane with three or more scenes in the life of Christ. The Annunciation spreads over two painted architectural frameworks in either aspect of the opening to the refuge. -below also to the still left of this is the scene of Judas obtaining payment to get betraying Jesus and to the ideal the scene of Visiting where Mary pregnant with God is with Elisabeth who will be pregnant with John the Baptist. -Colors complement one another, which is supposed to make the visitors relate them to each other -there is a grisaille which is a piece of art done in almost all grays -paint replicated marble and carved medallions about vertical rings -portrait disks float like glowing moons in the green sky. 18. MARRIAGE IN CANA, RAISING OF LAZARUS, LAMENTATION AND RESURRECTION/NOLI ME TANGERE 1305-06 (PADUA) -GIOTTO DI BONDONE -fresco -scene from Christ’s life -top left Christ performs his first miraculous, at the wedding party feast for Cana turning water to wine and the wine-steward sips it. -to the right may be the Raising of Lazarus wherever figures angle in space using gestures they react to the crisis by asking for the assistance of Jesus. Jesus’ eyes are locked on Lazarus. -on the low left signup is Jesus’s followers grieving over his dead body within a circle of grief. Jane holds her dead boy and Steve flings his arms back in despair and hunches in the corps. 7. 9 HUG OF DELATOR SCROVEGNI (ARENA) ITALY 1305-06 -GIOTTO DALAM BONDONE -fresco , the mark of betrayal that shows the first thing to Crucifixion for Jesus. -they will be slightly off-center in the downroad. -Judas would wear the same attire as in the scene of payment to get his unfaithfulness and looks as though he totally swallows Christ’s body. -faces glare from all directions -Jesus can be calm unlike the numbers in the remaining portion of the scene. -Peter is seen lunging forward to cut off the ear canal of a part of the arresting retinue. -The scenes of fabric compress the chaos in the picture as if to protect the viewer.