Kuleshov effect dissertation

Montage is one of the three significant steps in cinematographic creation, with pre-production and shooting. Theoretically, it is the action of trimming, pasting and putting together shots. It helps creating rhythm, which means and order to the story. Montage is a creative art form: with the same shots, you may express 1000s of different emotions and dreams according to the montage used. Kuleshov, a Russian filmmaker in the 1920’s, is the first one to write about this theory, now known as the ‘Kuleshov Effect’.

This kind of theory is used everywhere at this point (advertisement, media paper¦). The Kuleshov Effect theory is that every shot depends on the circumstance, of so what happened before and what will happen following.

Kuleshov found that the audience creates his own presentation of what he views on the display screen. For example , with the shot of a man with no expression in the face, they can create the impression of hunger the moment putting a taken with meals right after, or perhaps of despair with a shot of a useless person, or of closeness with the shot of a little girl playing.

This theory can be summarized with the method A & B = C; ‘A’ being the first shot, ‘B’ the 2nd one, and ‘C’ the meaning the audience’s mind creates by adding those two shots with each other. So the Kuleshov Effect is very powerful.

When we had to work with a project using the Kuleshov Effect, with my teammates, Giovanna and Christian, we 1st decided to build a funny tale. So we all decided to execute a funny last twist to get our first work. The first taken, the ‘A’, was a son running in the hallway, like he was in a hurry to go to very important place. The second taken was him looking frantically to some thing, and then the camera moved to the student store’s sign expressing: ‘Closed’. Therefore the emotion the viewer provides when he perceives the whole online video is frustration, because he was waiting for something very important to happen.

But if there were used similar first taken with one more ‘B’ shot, for example a policeman running, or someone dying within a hospital bed, the emotion would not have been completely the same. For our second work, all of us chose to make a move more normal, like what Kuleshov would for his own experiment. So we all shot the facial skin of a son, with no manifestation, for the ‘A’ taken. Then we shot three different situations: a vending machine (B1), a Espasmo tac feet (B2), and a girl walking in the hall (B3). The concept was to present that with the same ‘A’ shot, put with different ‘B’ shots, a unique emotion could be created; A+B1 shows craving for food, A+B2 reveals focusing, and A+B3 displays attraction.

To have the best pictures as possible, we all learned how you can white stability a camera, which was not too easy since we had to do it manually! Once we started shooting, we had a great time trying to find how we should certainly put the camera to have the very best shot as is possible; it was incredibly fun since we felt like real filmmakers. For example intended for our shot of the young man running in the hallway, we all first desired to use a skillet and stick to the boy operating, but then all of us realized that the result was not while powerful as we would expect this to be, thus we made a decision to use a constant shot rather, with a great eye-level viewpoint and an extended shot to find the whole motion.

Then an additional interesting shot in my opinion was the one of the ‘CLOSED’ placard; we decided to make use of a tilt movements of the camera down to up, which was a brilliant choice I believe because it looked like that the young man who was lift on the floor following running was looking up towards the sign. Intended for the second section of the work, we only used steady pictures because we thought it could be more powerful to get the test of the Kuleshov Effect. The face area of the youngster with no manifestation is a Close Up and Eye Level shot, because all of us learned that an in depth up was the best way to exhibit the movement of someone, and the goal with this shot was for the viewer to develop his individual emotion for your particular shot. But capturing is not the easiest issue of the world, usually we had to perform the photos twice since the angle had not been good, or the camera not white well balanced enough.

For the montage with FinalCutProX, we found that we could lower some of the taken we had, to lessen their length. That was a quite effective feature for all of us because a number of our photographs tended to be very long for their goal, for example to create suspense. One other really important characteristic of the software program, of course , is the fact it allows you to place your shots as you may want, and never especially in the buy you taken them, which was great mainly because sometimes we did not film our shots in the order we wished them to can be found in the final video. So montage is really a crucial step in the process of filmmaking.

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